Happy Birthday Paul Newman

Today is the 90th birthday of Paul Newman.  I think (at least hope) that we all have a similar desire for our life, a sort of State Park approach to humanity and the world:  to leave it better than we found it.  Paul Newman absolutely did.  The work he did on film has made the world a more beautiful place and the work his charities continue to do is a legacy that we will all benefit from for generations.  The world is a better place because he was in it and still feels the loss that he has left it.

NAME: Paul Newman
OCCUPATION: Film Actor, Theater Actor, Television Actor, Race Car Driver, Entrepreneur
BIRTH DATE: January 26, 1925
DEATH DATE: September 26, 2008
EDUCATION: Kenyon College, Yale School of Drama
PLACE OF BIRTH: Cleveland, Ohio
PLACE OF DEATH: Westport, Connecticut

BEST KNOWN FOR: Paul Newman came to be known as one of the finest actors of his time. He also started the Newman’s Own food company, which donates all profits to charity.

Paul Leonard Newman was born on January 26, 1925 in Cleveland, Ohio. Newman grew up in Shaker Heights, Ohio, with his older brother Arthur and his parents, Arthur and Teresa. His father owned a sporting-goods store and his mother was a homemaker who loved the theatre. Newman got his first taste of acting while doing school plays, but it was not his first love at the time. In high school, he played football and hoped to be a professional athlete.

Graduating high school in 1943, Newman briefly attended college before enlisting in the U.S. Navy Air Corps. He wanted to be a pilot, but he was told that he could never fly a plane as he was colorblind. He ended up serving as a radio operator and spent part of World War II serving in the Pacific.

After leaving the military in 1946, Paul Newman attended Kenyon College in his home state of Ohio. He was on an athletic scholarship and played on the school’s football team. But after getting into some trouble, Newman changed course. “I got thrown in jail and kicked off the football team. Since I was determined not to study very much, I majored in theater the last two years,” he told Interview magazine in 1998.

After finishing college in 1949, Newman did summer stock theater in Wisconsin where he met his first wife, actress Jacqueline Witte. The couple soon married, and Newman continued to act until his father’s death in 1950. He and his wife moved to Ohio to run the family business for a time. Their first child, a son named Scott, was born there. After asking his brother to take over the business, Newman and his family relocated to Connecticut, where he studied at the Yale School of Drama.

Running out of money, Newman left Yale after a year and tried his luck in New York. He studied with Lee Strasberg at the famed Actor’s Studio alongside Marlon Brando, James Dean and Geraldine Page.

Newman made his Broadway debut in William Inge’s Pulitzer Prize-winning comedy Picnic in 1953. During rehearsals he met actress Joanne Woodward, who was serving as an understudy for the production. While they were reportedly attracted to each other, the happily-married Newman did not pursue a romantic relationship with the young actress.

Around this time, Newman and his wife welcomed their second child together, a daughter named Susan. Picnic ran for 14 months, helping Newman support his growing family. He also found work on the then-emerging medium of television.

In 1954, Paul Newman made his film debut in The Silver Chalice for which he received terrible reviews. He had better success on Broadway in the Tony Award-winning The Desperate Hours (1955), in which he played an escaped convict who terrorizes a suburban family. During the run of the hit play, he and his wife added a third child — a daughter named Stephanie — to their family.

A winning turn on television helped pave the way for Newman’s return to Hollywood. Working with director Arthur Penn, he appeared in an episode of Philco Playhouse, “The Death of Billy the Kid,” written by Gore Vidal. Newman teamed up with Penn again for an episode of Playwrights ’56 for a story about a worn-down and battered boxer. Two projects became feature films: Somebody Up There Likes Me (1956) and The Left-Handed Gun (1958).

In Somebody Up There Likes Me (1956), Newman again played a boxer. This time he took on the role of real-life prizefighter Rocky Graziano — and demonstrated his considered acting talents to movie-goers and critics alike. His reputation was further magnified with Penn’s The Left-Handed Gun, an adaptation of Gore Vidal’s earlier teleplay about Billy the Kid.

That same year, Paul Newman starred as Brick in the film version of Tennessee Williams‘ play, Cat on a Hot Tin Roof (1958), opposite Elizabeth Taylor. He gave another strong performance as a hard-drinking former athlete and disinterested husband who struggles against different types of pressures exerted on him by his wife (Taylor) and his overpowering father (Burl Ives). Once dismissed as just another handsome face, Newman showed that he could handle the challenges of such a complex character. He was nominated for his first Academy Award for this role.

The Long Hot Summer (1958) marked the first big-screen pairing of Newman and Joanne Woodward. The two had already become a couple off-screen while he was still married to his first wife, and they wed in 1958 soon after his divorce was finalized. The next year, Newman returned to Broadway to star in the original production of Tennessee Williams’ Sweet Bird of Youth. The production saw Newman acting opposite the great Geraldine Page, and was directed by Elia Kazan.

Newman continued to thrive professionally. He starred in Otto Preminger’s Exodus (1960) about the founding of the state of Israel. The following year, he took on one of his most famous roles. In The Hustler (1961), Newman played Fast Eddie, a slick, small-time pool shark who takes on the legendary Minnesota Fats (Jackie Gleason). For his work on the film, Paul Newman received his second Academy Award nomination.

Taking on another remarkable part, Newman played the title character — an arrogant, unprincipled cowboy — in Hud (1963). The movie posters for the film described the character as “the man with the barbed wire soul,” and Newman earned critical acclaim and another Academy Award nomination for his work as yet another on-screen antihero.

In Cool Hand Luke (1967), Newman played a rebellious inmate at a southern prison. His convincing and charming portrayal led audiences to cheer on this convict in his battle against prison authorities. No matter how hard they leaned on Luke, he refused to bend to their will. This thoroughly enjoyable and realistic performance led to Paul Newman’s fourth Academy Award nomination.

The next year, Newman stepped behind the cameras to direct his wife in Rachel, Rachel (1968). Woodward starred as an older schoolteacher who dreams of love. A critical success, the film earned four Academy Award nominations, including one for Best Picture.

A lesser-known film from this time helped trigger a new passion for the actor. While working on the car racing film, Winning (1969), Newman went to a professional driving program as part of his preparation for the role. He discovered that he loved racing and started to devote some of his time to the sport.

That same year, Newman starred alongside Robert Redford in Butch Cassidy and the Sundance Kid (1969). He played Butch to Redford’s Sundance, and the pairing was a huge success with audiences, bringing in more than $46 million domestically. Recapturing their on-screen camaraderie, Newman and Redford played suave con men in The Sting (1973), another hit at the box office.

During the 1980s Newman continued to amass critical praise for his work. In Sydney Pollack’s Absence of Malice (1981), he played a man victimized by the media. The following year he starred as a down-and-out lawyer as The Verdict (1982). Both films earned Newman Academy Award nominations.

While he was widely considered one of the finest actors of his time, Paul Newman had never won an Academy Award. The Academy of Motion Picture Arts and Sciences decided to correct this error by giving Newman an honorary award for his contributions to film in 1985. With his trademark sense of humor, Newman said in his acceptance speech that “I am especially grateful that this did not come wrapped in a gift certificate to Forest Lawn [a famous cemetery].”

He returned to the character of Fast Eddie from The Hustler in 1986’s The Color of Money. This time around, his character was no longer the up-and-coming hustler, but a worn-out liquor salesman. He is drawn back in the world of pool by mentoring a young upstart (Tom Cruise). For his work on the film, Paul Newman finally won the Academy Award for Best Actor.

Approaching his seventies, Newman continued to delight audiences with more character-driven roles. He played an aging, but crafty rascal who struggles with renewing a relationship with his estranged son in Nobody’s Fool (1994).

Newman played a crime boss in Road to Perdition (2002), which starred Tom Hanks as a hit man who must protect his son from Newman’s character. This role brought him another Academy Award nomination — this time for Best Supporting Actor.

In his later years, Paul Newman took fewer acting roles, but was still able to deliver impressive performances. He earned an Emmy Award for his nuanced depiction of a lay-about father in the television miniseries Empire Falls (2005), which was adapted from the Pulitzer Prize-winning Richard Russo novel. The miniseries also provided him the opportunity to work with his wife, Joanne Woodward.

Around this time, Paul Newman scored his first racing victory at a Connecticut track in 1972. He went on to win a national Sports Car Club of America title four years later. In 1977, Newman made the leap and became a professional racer. In 1995, Newman served as part of the winning team at the Rolex 24 at Daytona. With his victory, Newman became the oldest driver to win this 24-hour-long race.

Newman started his own food company in the early 1980s. He started out the business by making bottles of salad dressing to give out as gifts for Christmas one year with his friend, writer A. E. Hotchner. Newman then had an unusual idea as to what to do with the leftovers — he wanted to try selling the dressing to stores. The two went on to found Newman’s Own, whose profits and royalties are used for educational and charitable purposes. The company’s product line now extends from dressings to sauces to snacks to cookies. Since the inception of Newman’s Own, over $250 million has been donated to thousands of charities worldwide.

Newman’s other charitable foundations include the Scott Newman Center, which he founded in 1978, after his only son died of an accidental overdose of alcohol and prescription drugs. The group seeks to stop drug abuse through educational programs. He also established the Hole in the Wall Camps to give children with life-threatening illnesses a memorable, free holiday. In 1988, the first residential summer camp was opened in Ashford, Connecticut. There are now eight camps in the United States, Ireland, the United Kingdom and France. Some of the funds raised by Newman’s Own have gone to support the Hole in the Wall Camps.

Known for his love of race cars, Newman lent his distinctive voice to the 2006 animated film Cars, playing the part of Doc Hudson — a retired racecar. He also served as the narrator for the 2007 documentary The Price of Sugar, which explored the work of Father Christopher Hartley and his efforts to help the workers in the Dominican Republic’s sugar cane fields.

That same year, Newman announced that he was retiring from acting. “I’m not able to work anymore as an actor at the level I would want to,” he said during an appearance on Good Morning America. “You start to lose your memory, your confidence, your invention. So that’s pretty much a closed book for me.”

Newman, however, wasn’t going to leave the business entirely. He was planning on directing Of Mice and Men at the Westport Country Playhouse the following year. But he ended up withdrawing from the production because of health problems, and rumors began to circulate that the great actor was seriously ill. Statements from the actor and his representatives simply said he was “doing nicely” and, reflective of Newman’s sense of humor, being treated “for athlete’s foot and hair loss.”

A private man, Newman chose to keep the true nature of his illness to himself. He succumbed to cancer at his Westport, Connecticut home on September 26, 2008. This is where he and his wife had lived for numerous years to get away from the spotlight and where they chose to raise their three daughters, Nell, Melissa and Clea.

As the news of his death spread, praise and tributes began pouring in. “There is a point where feelings go beyond words. I have lost a real friend. My life — and this country — is better for his being in it,” friend Robert Redford said after learning about Newman’s death.

Paul Newman will be long remembered for his great films, his vibrant lifestyle and his extensive charitable works, and his relationship with Joanne Woodward will always be regarded as one of the most successful and enduring love stories in Hollywood history.

 

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Happy Birthday W. Somerset Maugham

Today is the 141st birthday of the writer W. Somerset Maugham.  I was given a copy of “The Razor’s Edge” quite a while ago by a former employer stating “this is one of my favorite books and novels.”  He meant that he liked the story and like the look of the book, physically.  The book was given to him by the matriarch of a very prominent Seattle family when she was closing up and selling off her properties on the San Juan Islands.  I still have it and I hope to do the same with it one day.  The world is a better place because he was in it and still feels the loss that he has left.

Born: 25 January 1874 UK Embassy, Paris, France
Died: 16 December 1965 (aged 91) Nice, France
Occupation: Playwright, novelist, short story writer
Notable works: Of Human Bondage, The Letter, Rain, The Razor’s Edge

Today is the birthday of W. Somerset Maugham, born in Paris (1874). His father was in Paris as a lawyer for the British Embassy. When Maugham was eight years old, his mother died from tuberculosis. His father died of cancer two years later. The boy was sent back to England into the care of a cold and distant uncle, a vicar. Maugham was miserable at his school. He said later: “I wasn’t even likeable as a boy. I was withdrawn and unhappy, and rejected most overtures of sympathy over my stuttering and shyness.” Maugham became a doctor and practiced in the London slums. He was particularly moved by the women he encountered in the hospital, where he delivered babies; and he was shocked by his fellow doctors’ callous approach to the poor. He wrote: “I saw how men died. I saw how they bore pain. I saw what hope looked like, fear and relief; I saw the dark lines that despair drew on a face; I saw courage and steadfastness. I saw faith shine in the eyes of those who trusted in what I could only think was an illusion and I saw the gallantry that made a man greet the prognosis of death with an ironic joke because he was too proud to let those about him see the terror of his soul.”

When he was 23, he published his first novel, Liza of Lambeth, about a working-class 18-year-old named Liza who has an affair with a 40-year-old married man named Jim, a father of nine. Jim’s wife beats up Liza, who is pregnant, and who miscarries, and dies. The novel was a big success, and Maugham made enough money to quit medicine and become a full-time writer. For many years, he made his living as a playwright, but eventually he became one of the most popular novelists in Britain. His novels include Of Human Bondage (1915), The Moon and Sixpence (1919), Cakes and Ale (1930), and The Razor’s Edge (1944).
Somerset Maugham said,

To acquire the habit of reading is to construct for yourself a refuge from almost all the miseries of life.

At a dinner party one should eat wisely but not too well, and talk well but not too wisely.

Dying is a very dull, dreary affair. And my advice to you is to have nothing whatever to do with it.

Excess on occasion is exhilarating. It prevents moderation from acquiring the deadening effect of a habit.

It was such a lovely day I thought it a pity to get up.

Rear View Mirror – My Week In Review

Recently, one of my cousins mentioned how he missed the Week In Review posts I used to do on Sundays. Honestly, I only really stopped because I started working most Sundays and they take a bit of time to pull all the statistics and such. No other reason. So, I carved out some time and wrote most of this last night.

By far, the best birthday gift I received this week was the new Sleater-Kinney album being released, on my birthday no less! I have been listening to it daily and am still loving it. It is not at all like a reunion album, it is more like the evolution of a band ten years after their last album. It is really great, I guess everyone thinks so, the internets are full of articles about it.

This week, a woman rolled down her window to tell us that she thought we were walking a cat at first. Scraps was not at all amused. Several groups of people had also expressed how cute he was not five minuter earlier while we were sitting outside PCC, so he knew that woman was blind and/or just basic.

I have three cards I need to mail to someone. They are super cute and inspirational. First three addresses sent to: spa@waldina.com. Make it happen.

This week on Waldina I celebrated a gang of birthdays and even my very own: Edith Warton, Porfirio Rubirosa , George Balanchine , Malcolm McLaren, Cristóbal Balenciaga, Jeff Koons, Christian Dior, David Lynch, Barbara Stanwyck, George Burns, Federico Fellini, Edgar Allan Poe, Tippi Hendren, Cary Grant and Vidal Sassoon. I also confessed my obsession with the 1984 film Night of the Comet.

The Stats:

Views This Week: 1,882
All Time Views: 157,201
Most Popular Post This Week: S.P.A. v45.0 Launch is Live
Second Most Popular Post This Week: Karl Lagerfeld – Humanity’s Antagonis
Total Posts: 1,428
Total Subscribers: 377

This Week on Wasp & Pear on Tumblr, I focused a lot on artists and original art. Aside from the Haring/Warhol/Basquiat/Fitzgerald stables, I also posted every Sleater-Kinney article I read. I also found some really amazing archival photographs of crime scenes, they are not gruesome, there is just a body in the lower portion of the picture, he could just be a heavy sleeper. I also posted some photos of beautiful house exteriors and interiors. I posted this long explanation as to why we should stop drinking bottled water.

The Stats:

Posts This Week: 66
Total Posts: 3,818
Total Subscribers: 286

This week over on the @TheRealSPA corner of the twitterers, I added my tumbler feed to auto-tweet any photo posted with the #DailyInspiration hashtag. Also, the @KeithHaring Foundation retweeted one of my tweets and the supermodel Niki Taylor started following me. I am not sure why, I should thank her.

The Stats:

Total Tweets (auto-deleted after 30 days): 460
Total Following: 561
Total Followers: 443

Over on @TheRealSPA on Instagram, I took my new profile pic, a pic of Sriracha Popcorn, a pic of my new tattoo, and a movie of my blinking birthday lights. I also recently started adding photos of the birthday profiles from Waldina and including a short paragraph about them. I like the variety it adds to my feed, I know it’s not selfies and food, but that area has been done.

The Stats:

Total Posts: 333
Total Followers: 167
Total Following: 235

come find me, i’m @

I chronicle what inspires me at Waldina.com
I faceplace at facebook.com/parkeranderson
I store my selfies at instagram.com/therealspa#
I tumblr at waspandpear.tumblr.com/
I tweet at twitter.com/TheRealSPA

Happy Birthday Edith Warton

Today is the 153rd birthday of the writer who said, “Life is always a tightrope or a feather bed. Give me the tightrope.” She wrote about frustrated love in novels like The House of Mirth (1905), Ethan Frome (1911), and The Age of Innocence (1920), for which she became the first woman to win the Pulitzer Prize.  The world is a better place because she was in it and still feels the loss that she has left.

 

NAME: Edith Wharton
OCCUPATION: Author
BIRTH DATE: January 24, 1862
DEATH DATE: August 11, 1937
PLACE OF BIRTH: New York, New York
PLACE OF DEATH: St.-Brice-sous-Forêt, France
ORIGINALLY: Edith Newbold Jones

BEST KNOWN FOR: Novelist Edith Wharton was born to an old New York family, but is better known for her books Ethan Frome and The Age of Innocence.

Edith Warton came from a rich and snobbish New York family who lived off the inheritance of their real estate and banking tycoon ancestors, and she spent several years of her early childhood traveling around Europe. When she was 10, her parents re-settled in New York, around 23rd and Park Avenue. She was a teenage bookworm, reading insatiably from her family’s expansive library and feeling alienated and adrift in the New York high-society circles her family moved in. At 23, she married a family friend, a classy, good-looking sportsman named Edward “Teddy” Robbins Wharton, who wasn’t particularly fond of books. He had a tendency for manic spells, extravagant spending sprees, and infidelity. It was a long and miserable marriage.

She met Henry James in Europe and became good friends with him. He encouraged her to write about the New York City she knew so well and disliked. He said, “Don’t pass it by — the immediate, the real, the only, the yours.” And it was Henry James who introduced her to his friend Morton Fullerton, a dashing, promiscuous, intellectual American expat journalist who reported for the London Times from Paris. Edith Wharton fell hard for the man, filled her diary with passages about how their romance and conversation made her feel complete, wrote him pleading letters, and about a year into their affair, when she was in her late 40s, moved full-time to Paris, where he resided. The affair ended in 1911, the year she published Ethan Frome. She once wrote to him:

“Do you know what I was thinking last night, when you asked me, & I couldn’t tell you? — Only that the way you’ve spent your emotional life while I’ve … hoarded mine, is what puts the great gulf between us, & sets us not only on opposite shores, but at hopelessly distant points of our respective shores. Do you see what I mean?”And I’m so afraid that the treasures I long to unpack for you, that have come to me in magic ships from enchanted islands, are only, to you, the old familiar red calico & beads of the clever trader, who has had dealing with every latitude, & knows just what to carry in the hold to please the simple native — I’m so afraid of this, that often & often I stuff my shining treasures back into their box, lest I should see you smiling at them!

“Well! And what if you do? It’s your loss, after all! And if you can’t come into the room without my feeling all over me a ripple of flame, & if, wherever you touch me, a heart beats under your touch, & if, when you hold me, & I don’t speak, it’s because all the words in me seem to have become throbbing pulses, & all my thoughts are a great golden blur — why should I be afraid of your smiling at me, when I can turn the beads & calico back into such beauty —?”

He left her in 1911, and she stayed married to Teddy for a couple more years, though the two lived apart from each other during the last part of their 28-year marriage. She loved living in Paris, and there she mingled with people like André Gide, Jean Cocteau, Theodore Roosevelt, and F. Scott Fitzgerald, whom she once told: “To your generation, I must represent the literary equivalent of tufted furniture and gas chandeliers.” But she wasn’t prim or overly proper, and she famously enjoyed one of Fitzgerald’s scandalous stories, about an American couple in a Paris brothel, which he drunkenly related the first time he met her.

Modernist writers were among her contemporaries, but she didn’t use modernist techniques like stream-of-consciousness in her own writing, and she wasn’t a fan of it in others’. She once said about James Joyce’s Ulysses (1922), “Until the raw ingredients of a pudding make a pudding, I shall never believe that the raw material of sensation and thought can make a work of art without the cook’s intervening.”

She died in Paris at the age of 75. At the time of her death, she was working on a novel called The Buccaneers, about five rich American girls who set out to marry landed British men, so that they can have English feudal titles in their names, like “Duchess.” In her last days, she lay in bed and worked on the novel, and each page that she completed she dropped onto the floor so that it could be collected later, when she was through.
Many of her novels have been made into movies. The House of Mirth, The Glimpses of the Moon, and The Age of Innocence were all adapted into silent films around the 1920s. John Madden directed a version of Ethan Frome in 1993, the same year Martin Scorsese directed a film adaptation of The Age of Innocence. In 2000, Gillian Anderson starred in The House of Mirth, directed by Terence Davies.

Edith Wharton said, “There are two ways of spreading light: to be the candle or the mirror that receives it.”

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Night of the Comet – Not So Secret Obsession

I love everything about this movie.  It had zombies before all you bacon-loving clown-fearing hipsters were all about them.  The fashion, the music, the dialog, all perfection, all 80s.  I have even included the entire film at the bottom of this post.  You should at least watch the first 15 minutes.  I love the poster for Red Dust on the inside of the backstage door.  First 15 minuted, I promise.  You’ll want to stay for the dancing sequence in an abandoned shopping mall, it is one of the best music montages ever.

Directed by: Thom Eberhardt

Produced by: Andrew Lane, Wayne Crawford

Written by: Thom EberhardtRelease date: November 16, 1984

Night of the Comet is a 1984 film directed by Thom Eberhardt and starring Catherine Mary Stewart, Robert Beltran, and Kelli Maroney. It has elements of such diverse genres as science fiction, horror, zombie apocalypse, comedy, and romance. The film was voted number 10 in Bloody Disgusting’s Top 10 Doomsday Horror Films in 2009.

The Earth is passing through the tail of a rogue comet, an event which has not occurred in 65 million years, the last time coinciding with the extinction event that wiped out the dinosaurs. On the night of the comet’s passage, large crowds gather to watch and celebrate the event.

18 year old Regina “Reggie” Belmont (Catherine Mary Stewart) is an employee at a movie theater in southern California. Annoyed that her #6 high score on the arcade game Tempest was beaten by someone with the initials “DMK“, she decides to have sex with her boyfriend, the theater projectionist, in the steel-lined projection booth. Meanwhile, Reggie’s 16 year old sister Samantha “Sam” (Kelli Maroney) argues with their stepmother, and she gets punched in the face.

The next morning, a reddish haze covers everything. There is also not one sign of life, only small piles of red dust and empty clothes. Reggie and her boyfriend wake up, unaware that anything strange has happened. Her boyfriend steps outside behind the theater and is immediately killed by a zombie. When Reggie comes looking for her boyfriend, she finds the zombie eating him. The zombie tries to attack, but she escapes. Finding herself in an empty world, Reggie goes home to find her sister. Sam had spent the night in a metal yard shed after the fight and is also alright.

After figuring out what has happened, they hear a radio disc jockey and race to the station, only to find it is automated and just a recording. They do find another survivor there, Hector Gomez (Robert Beltran), who spent the night in the back of his steel semi truck. When Sam interrupts the recorded show and makes an announcement, the broadcast is heard by government researchers in an underground think tank. They call the station, telling the survivors that a rescue team is on the way. The scientists note that the zombies, though less exposed to the comet, will soon disintegrate into dust themselves. Reggie tells Hector that, as military brats, she and Sam were taught how to use firearms by their father. Hector then leaves to see if any of his family survived, while Reggie and Sam go foraging at a local mall. After a surprise firefight with some zombie ex-stock boys, the girls are taken prisoner but are saved by the rescue team from the think tank.
Reggie is immediately taken back to their base. Audrey White (Mary Woronov), a dying, disillusioned scientist, offers to remain behind with Sam to wait for Hector. Another scientist who stays with them believes Sam has been exposed and should be executed. However, Audrey realizes that Sam is actually healthy. After purportedly euthanizing Sam, she then kills the other scientist. When Hector returns, Audrey provides enough information for him and Sam to try to rescue Reggie. Audrey then gives herself a lethal injection.

The researchers had suspected and prepared for the comet’s effects, but inadvertently left their ventilation system open during the comet’s passage allowing the comet’s deadly dust to permeate their base. Meanwhile, Reggie has become suspicious, escapes, and discovers that the dying scientists have hunted down healthy survivors and rendered them brain-dead, so they can harvest their untainted blood to look for a cure.
Hector and Sam find Reggie, along with a young boy and a young girl Reggie has rescued. Some of the researchers are killed in the escape, while the rest presumably perish from the comet’s after-effects.

Eventually, rain washes away the red dust and the world is left in a pristine condition. The group becomes a conventional family unit, except for Sam who feels left out. When she ignores Reggie’s warning and crosses a deserted street against the still-operating signal light, she is almost run over by a sports car driven by Danny Mason Keener, a teenager her own age. After apologizing, he invites her to go for a ride. As they drive off, the car is shown sporting the initials “DMK” on the vanity plate.

Happy Birthday Porfirio Rubirosa

Today is the 105th birthday of Porfirio Rubirosa.  He is quite possibly the last of the famous international playboys.  As a impeccably-dressed multiple-heiress-marrying polo playing race car driver, he set the standard for jet-set men in the mid 20th century.  The world is a better place that he was in it and still feels the loss that he has left it.

Born: January 22, 1909 San Francisco de Macorís, Dominican Republic
Died: July 5, 1965 (aged 56) Paris, France
Occupation: Diplomat, polo player, race car driver

LAST OF THE FAMOUS INTERNATIONAL PLAYBOYS

Porfirio Rubirosa Ariza (January 22, 1909 – July 5, 1965) was a Dominican diplomat and adherent of Rafael Trujillo. He made his mark as an international playboy, for his jet setting lifestyle, and his legendary prowess with women.  Among his spouses were two of the richest women in the world.

Rubirosa was married five times, but never had any children. His wives were:

  • Flor de Oro Trujillo, Rafael Trujillo’s daughter, December 3, 1932-38
  • Danielle Darrieux, French actress, September 18, 1942 – May 21, 1947
  • Doris Duke, American heiress, September 1, 1947 – October 1948; with marital gifts and final settlement he received an alimony ($25,000 per year until remarriage), a fishing fleet off Africa, several sports cars, a converted B-25 bomber (La Ganza), and a 17th Century house at Rue de Bellechasse, Paris.
  • Barbara Hutton, American heiress, December 30, 1953 – on or before March 14, 1954; in the settlement he received a coffee plantation in the Dominican Republic, another B-25, polo ponies, jewelry, and she paid him a reported $2.5 million.
  • Odile Rodin, French actress, age 19, October 27, 1956 – July 5, 1965 (his death)

Why he’s a style icon

Porfirio Rubirosa is the archetypal man’s man. He drove Ferraris at Le Mans, was a champion polo player, flew fighter planes from the South of France to South America for fun, married the two wealthiest women in the world back to back, and set the bar for all other Latin lotharios. While he stood only 5’9″, it was his manhood that made him a legend and the most desired man on the planet. He often described himself as half diplomat (which he actually was, after being appointed to numerous positions by Dominican dictator Generalissimo Trujillo, who happened to be Rubirosa’s first father-in-law) and half gigolo. While he was far too much of a gentleman to make mention of his now-legendary endowment, it is said that this alone caused women the world over to literally drag him into closets, bathrooms and under tables for a sample of what had entranced so many of the most beautiful and powerful women. He never held a steady job, and his goal was never to make money — but rather to spend it. Luckily, when a man can lay claim to romancing Barbara Hutton (a Woolworth heiress), Doris Duke (heiress to a tobacco and energy fortune), Zsa Zsa Gabor, Jayne Mansfield, Ava Gardner, Eva Peron, and countless other wealthy and powerful women, money tends to fall into one’s lap. Even his ex-wives were getting in on the action, as it is rumored that Rubirosa’s second wife, famed French actress Danielle Darrieux, received $1 million from Doris Duke to consent to a divorce so that she could lay a claim to Rubi herself. Has a woman ever paid someone $1 million to get a chance with you? Didn’t think so. At the age of only 47, Rubi died the night his team had won the Coupe de France polo cup. He died when his Ferrari skidded off the road and into a tree, and the steering column went through his heart. A true romantic even in death.

Dress the Rubirosa way

Rubirosa didn’t just act the part of Latin lover, he dressed the part. He was famously seen wearing thin three-piece suits of the finest quality, often with double-breasted jackets. His style of dress was equally influenced by the Latin flair that ran through his veins and the smooth, subtle cool of the Riviera. If you want to emulate Rubi you must remember that despite his generous endowment, he was not a showman and not a braggart, so the look must be quietly confident. In essence, he’s a prime example of “walk softly but carry a big stick.” One way to look like Rubi is to find a pink-gold Rolex like the one mentioned in American Psycho, but an even easier way is to buy a suit from Argentinean boutique Etiqueta Negra, whose polo-inspired flair would have certainly been a favorite of Rubi’s.

World War II, Rubirosa became engaged in two major passions, polo and car racing, both expensive sports that would be supported in years to come by his American wives. He organized and led his own polo team Cibao-La Pampa that was an often successful contender for the Coupe de France cup. Rubirosa played polo until the end of his life. In the same period, Rubirosa started to acquire fast cars and form friendships with race car drivers. He would own a number of Ferraris. His first race at 24 Hours of Le Mans took place in June 1950 with his partner Pierre Leygonie, and his second race, this time with Innocente Baggio, was four years later; in both races his car did not finish. Rubirosa participated in a number of races at Sebring, all but once as a private entry.

Rubirosa died early in the morning on July 5, 1965, when he crashed his Ferrari 250 GT into a chestnut tree and the steering column went through his heart after an all-night celebration at the Paris nightclub “Jimmy’s” in honor of winning the Coupe de France polo cup.  A true romantic even in death.

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Happy Birthday George Balanchine

Today is the 111th birthday of the dancer and choreographer George Balanchine.  He is considered the father of modern ballet, meaning the ballet that we think of as ballet today.  The world is a better place because he was in it and still feels the loss that he has left.

NAME: George Balanchine
OCCUPATION: Ballet Dancer, Choreographer
BIRTH DATE: January 22, 1904
DEATH DATE: April 30, 1983
EDUCATION: Imperial School of Ballet, Soviet State School of Ballet, Petrograd State Conservatory of Music, Mariinsky Theatre
PLACE OF BIRTH: St. Petersburg, Russia
PLACE OF DEATH: New York, New York

BEST KNOWN FOR: George Balanchine was a ballet choreographer who co-founded and served as artistic director of the New York City Ballet.

Georgy Melitonovich Balanchivadze was born on January 22, 1904, in St. Petersburg, Russia. The son of a composer, Balanchine had a robust understanding of music. In 1914, he enrolled at the Mariinsky Theatre’s ballet school. He graduated in 1921 and subsequently attended the Petrograd State Conservatory of Music, leaving the conservatory after three years.

In 1922, George Balanchine married a 15-year-old ballet student named Tamara Gevergeyeva. This was the first of four separate marriages to dancers, and for each of his wives, Balanchine would make a ballet.

In 1924, Balanchine was invited to tour Germany as part of the Soviet State Dancers. A year later, the young choreographer joined Serge Diaghilev‘s Ballet Russes. (His birth name, Balanchivadze, was shortened to Balanchine at Diaghilev’s insistence.) At just 21 years old, Balanchine took over as choreographer for the group, one of the most renowned ballet companies in the world.

After the Ballet Russes collapsed, Balanchine created the company Les Ballets in 1933. Following a performance, American dance aficionado Lincoln Kirstein approached Balanchine about collaboration and the two began a 50-year creative partnership, co-founding the School of American Ballet in 1934. The following year, the professional company known as the American Ballet emerged, becoming the official company of New York’s Metropolitan Opera until 1936.

In 1946, Kirstein and Balanchine co-founded a company that would become the New York City Ballet. Balanchine served as artistic director of the company, based out of New York State Theater at Lincoln Center. He produced more than 150 works for the company, including “The Nutcracker.” While money was tight, Balanchine presented the dancers in practice clothes instead of ornate costumes.

In addition to ballet, George Balanchine choreographed Hollywood movies and Broadway musicals. He is known for his connection to Igor Stravinsky; Balanchine created many ballets to his work, some in collaboration with the composer. He made more than 465 works, which have been performed by nearly every ballet company in the world.

Balanchine created plotless ballets, where the dancing upstaged glitz and storytelling. His work never featured a star, as he believed the performance should outshine the individual. He is credited with developing the neo-classical style distinct to the 20th century. Balanchine served as the artistic director of the New York City Ballet until his death, on April 30, 1983, in New York City.