Happy Birthday, Fred Rogers – Style Icon

Fred Rogers would be 85 today.  He was the kindest, most gentle adult that most kids my age every knew.  He spoke to us as people and inspired us to think about our feelings.  He taught us empathy and compassion.  He changed our lives and the world is a better place because of him.  Ladies and gentlemen, Fred Rogers.  Style Icon.

NAME: Fred McFeely Rogers
OCCUPATION: Minister, Television Personality
BIRTH DATE: March 20, 1928
DEATH DATE: February 27, 2003
EDUCATION: Rollins College, Pittsburgh Theological Seminary
PLACE OF BIRTH: Latrobe, Pennsylvania
PLACE OF DEATH: Pittsburgh, Pennsylvania
AKA: Mister Rogers

BEST KNOWN FOR: The much-loved host of the public television show, Mr. Rogers’ Neighborhood, which ran on PBS from 1968 to 2001.

Fred McFeely Rogers (March 20, 1928 – February 27, 2003) was an American educator, Presbyterian minister, songwriter, author, and television host. Rogers was most famous for creating and hosting Mister Rogers’ Neighborhood (1968–2001), that featured his gentle, soft-spoken personality and directness to his audiences.

Initially educated to be a minister, Rogers was displeased with the way television addressed children and made an effort to change this when he began to write for and perform on local Pittsburgh-area shows dedicated to youth. The Public Broadcasting System developed his own nationally-aired show in 1968 and, over the course of three decades on television, he became an indelible American icon of children’s entertainment and education, as well as a symbol of compassion, patience, and morality. He was also known for his advocacy of various public causes. His testimony before a lower court in favor of time shifting was cited in a U.S. Supreme Court decision on the Betamax case, and he gave now-famous testimony to a U.S. Senate committee, advocating government funding for children’s television.

Rogers was honored extensively for his life work in children’s education. He received the Presidential Medal of Freedom, the United States’ highest civilian honor; a Peabody Award for his career; and was inducted into the Television Hall of Fame. Two resolutions recognizing his work were unanimously passed by U.S. Congress, one of his trademark sweaters was acquired and is on display at the Smithsonian Institution, and several buildings and works of art in Pennsylvania are dedicated to his memory.

In 1996, Mister Fred Rogers was ranked #35 on TV Guide’s 50 Greatest TV Stars of All Time.

I’m not that interested in ‘mass’ communications. I’m much more interested in what happens between this person and the one person watching. The space between the television set and that person who’s watching is very holy ground.

These two clips will remind you of his power and vision and stay with you the whole day:

In 1997, Fred Rogers was presented with a Lifetime Achievement Award at the Emmys. His acceptance speech is one of the most gentle, moving, humble, and powerful statements I’ve seen in a long time. Even the way he accepts the award from Tim Robbins — in a gentle, curious manner, just standing back and calmly smiling at the crowd — it’s amazing. As the clip ends, his standing ovation begins.

His speech that he made before the United States Senate Subcommittee on Communications to support funding for PBS and the Corporation for Public Broadcasting.  In about six minutes of testimony, Rogers spoke of the need for social and emotional education that public television provided. He passionately argued that alternative television programming like his Neighborhood helped encourage children to become happy and productive citizens, sometimes opposing less positive messages in media and in popular culture.

How To Use Hazard Lights – Self Help

Emergency lights (or hazard lights) are for EMERGENCIES.  Emergencies are not defined as:  unable to find a legal parking spot, just running in real quick to get something, or picking up/dropping off people.  Emergency lights do not trump laws just because you have activated them.  Have some grace.

Many automobiles use their front and rear signal lights to create hazard lights in a distinctive lighting pattern which can be used to alert other drivers to a problem. Typically, hazard lights run on the same circuit as regular lights, although they are controlled with a separate switch. Knowing how and when to use hazard lights can be useful in an emergency situation, although you should also be equipped with highway flares.

Hazard lights are actuated with a small switch located near the steering column. Usually it is in a separate area, so that the lights cannot be turned on accidentally by an unwitting hand. In many cars, the switch has a small triangular icon on it, and it is often red or orange, to make it more visible in emergencies. The two most common types of hazard light switches are tabs which need to be pulled, and buttons which are pressed.

When the switch is activated, all of the turn signals on the vehicle will simultaneously illuminate and start flashing in a rhythmic pattern. This pattern is highly visible and very unique, so that drivers will not confuse it with turn signals or approaching headlights. As a general rule, if you see a vehicle with hazard lights on up ahead, you should slow down until you know what the problem it.

Most commonly, hazard lights are used on a disabled car which has been pulled to the side of the road. Especially at night, they increase the visibility of the car so that it will not be hit. It also alerts drivers to the fact that there is a problem of some kind, and some drivers use hazard lights to ask for help, usually in combination with leaving the hood up. Responders to an accident scene may also use their hazard lights to warn drivers about unusual conditions up ahead, and to help clear a lane for the accident.  Hazard lights should not be used as a free pass to park wherever the driver wants, illegal parking is illegal parking, hazard lights or not.

Driving should never be done with the hazard lights alone, as this can be highly dangerous. Hazard lights should also not be used to warn oncoming traffic about approaching hazards. A much better choice is flashing your headlights or lightly tapping your horn. Using hazard lights may distract or confuse the oncoming driver, while flashing your lights is generally interpreted as a sign to slow down and be cautious. Hazard lights can also be used to check whether or not your signals are using when your car is in a parked and safe position, such as your driveway. Turn the key to the “accessory” stage and turn the hazard lights on so that you can walk all the way around your car and make sure that no bulbs need to be replaced.

An African-American Woman Being Carried by the Police During a Civil Rights Protest: A Proud Heritage: Photos From the Civil Rights Movement

In 1964, during a Civil Rights Demonstration in Brooklyn, New York, this African-American woman had to be carried by the police to the police patrol wagon.

Communication – The Urban Etiquette Handbook – Self Help

Practicing Proper Cellular Conduct

Where you can and can’t answer the phone.

RED

“Excuse me, I’ve got to step out and take this call related to the birth of my child.”

Movie theaters, at any time

• Quiet/romantic restaurants

• Dinner parties

• Any date

• Elevator

• During a commercial transaction

• On the treadmill*

• Public bathrooms*

* You can skip the step of excusing yourself in this situation; it would probably make the people around you more uncomfortable.

YELLOW

“Hey, let me hunch over slightly to indicate that I’m ashamed to be talking on the phone in this situation and call you back in a second.”

• Any one-on-one conversation

• Very loud restaurants

• Moderately loud bars

• Moving motor vehicles of any kind

• Landed aircraft

• Dwelling places where you do not pay rent

GREEN

“Bro!!! Yeah, I’m in my home, a completely open public space, or a relaxed work environment. Whassup???”

• Sidewalks

• Loud bars

• Cabs

• Hallways

• Lobbies

• Your desk*

• Anywhere you pay rent

* Calls announced by a ringtone that you’ve forgotten to turn off must be ignored as penance.

{audio}

The Four Levels of iPod Interaction

Whom you do and don’t have to unplug for.

LEVEL ONE

Continue at full blast. Consider increasing the vigor of your head-nodding and/or humming.

• Guys passing out bargain-electronics-store flyers.

• Idealistic-looking whippersnappers holding clipboards.

• Scientologists.

LEVEL ONE AND A HALF

Subtly turn down volume.

• People in the elevator you don’t know.

• Someone attractive who sits down next to you on the train while you are listening to the Goo Goo Dolls.

LEVEL TWO

Make a big show of pressing PAUSE.

• Anyone who approaches you while you’re working out.

• Non-panhandlers on the subway (may be helpfully pointing out that your bag is open, may be distracting you in a Gangs of New York–style pickpocket ruse).

• Co-workers you hate.

Friends.

• Your parents, if you’re a teenager.

LEVEL THREE

Remove headphones, toss them jauntily over shoulder.

• People in the elevator you know.

• Anyone taking your money or instructions about how to prepare your food.

• Co-workers you don’t hate.

• Your parents, if you’re an adult.

• Police officers.

LEVEL FOUR

Completely remove and enclose in nearest pocket/bag/ purse.

• Co-workers who could have you fired in less than an hour.

• Anyone who’s crying.

• Police officers standing next to someone who’s pointing at you and saying, “That’s him!”

via The Urban Etiquette Handbook — New York Magazine.

How to Suck at Facebook

How to Suck at Facebook – The Oatmeal.

Billy Wilder – Style Icon

There are so many movies that you should watch, quite a few of them are directed by Billy Wilder.  See “Sunset Boulevard,” Wilder’s tale of the true Hollywood that no one had dared to tell before.  Make sure you watch the making of the film portion of the DVD, it is brilliant.  Ladies and gentlemen, Billy Wilder.  Style Icon.

NAME: Billy Wilder
OCCUPATION: Director, Producer
BIRTH DATE: June 22, 1906
DEATH DATE: March 27, 2002
EDUCATION: University of Vienna
PLACE OF BIRTH: Sucha, Poland
PLACE OF DEATH: Beverly Hills, California
ORIGINALLY: Samuel Wilder

BEST KNOWN FOR: Billy Wilder is best known for the many films he directed and produced, like Some Like It Hot.

Billy Wilder (22 June 1906 – 27 March 2002) was an Austro-Hungarian born American filmmaker, screenwriter, producer, artist, and journalist, whose career spanned more than 50 years and 60 films. He is regarded as one of the most brilliant and versatile filmmakers of Hollywood’s golden age. Wilder is one of only five people to have won Academy Awards as producer, director, and writer for the same film (The Apartment).
Wilder became a screenwriter in the late 1920s while living in Berlin. After the rise of Nazi Party, Wilder, who was Jewish, left for Paris, where he made his directorial debut. He relocated to Hollywood in 1933, and in 1939 he had a hit when he co-wrote the screenplay to the screwball comedy Ninotchka. Wilder established his directorial reputation after helming Double Indemnity (1944), a film noir he co-wrote with mystery novelist Raymond Chandler. Wilder earned the Best Director and Best Screenplay Academy Awards for the adaptation of a Charles R. Jackson story The Lost Weekend, about alcoholism. In 1950, Wilder co-wrote and directed the critically acclaimed Sunset Boulevard.

From the mid-1950s on, Wilder made mostly comedies. Among the classics Wilder created in this period are the farces The Seven Year Itch (1955) and Some Like It Hot (1959), satires such as The Apartment (1960), and the drama comedy Sabrina (1954). He directed fourteen different actors in Oscar-nominated performances. Wilder was recognized with the American Film Institute (AFI) Life Achievement Award in 1986. In 1988, Wilder was awarded the Irving G. Thalberg Memorial Award. In 1993, he was awarded the National Medal of Arts. Wilder has attained a significant place in the history of Hollywood censorship for his role in expanding the range of acceptable subject matter.

lder holds a significant place in the history of Hollywood censorship for expanding the range of acceptable subject matter. He is responsible for two of the film noir era’s most definitive films in Double Indemnity and Sunset Boulevard. Along with Woody Allen and the Marx Brothers, he leads the list of films on the American Film Institute’s list of 100 funniest American films with 5 films written and holds the honor of holding the top spot with Some Like it Hot. Also on the list are The Apartment and The Seven Year Itch which he directed, and Ball of Fire and Ninotchka which he co-wrote. The American Film Institute has ranked four of Wilder’s films among their top 100 American films of the 20th century: Sunset Boulevard (no. 12), Some Like It Hot (no. 14), Double Indemnity (no. 38) and The Apartment (no. 93). For the tenth anniversary edition of their list, the AFI moved Sunset Blvd. to #16, Some Like it Hot to #22, Double Indemnity to #29 and The Apartment to #80.

Spanish filmmaker Fernando Trueba said in his acceptance speech for the 1993 Best Non-English Speaking Film Oscar: “I would like to believe in God in order to thank him. But I just believe in Billy Wilder… so, thank you Mr. Wilder.” According to Trueba, Wilder called him the day after and told him: “Fernando, it’s God.” French filmmaker Michel Hazanavicius also thanked Billy Wilder in the 2012 Best Picture Oscar acceptance speech for The Artist by saying “I would like to thank the following three people, I would like to thank Billy Wilder, I would like to thank Billy Wilder, and I would like to thank Billy Wilder.” Wilder’s 12 Academy Award nominations for screenwriting were a record until 1997 when Woody Allen received a 13th nomination for Deconstructing Harry.

Edna Ferber – Style Icon

If you see one film of hers, see “Giant.”  Everyone is beautiful and the film is perfection.  Ladies and gentlemen, Edna Ferber.  Style Icon.

NAME: Edna Ferber
OCCUPATION: Writer
BIRTH DATE: August 15, 1885
DEATH DATE: April 16, 1968
PLACE OF BIRTH: Kalamazoo, Michigan
PLACE OF DEATH: New York, New York

BEST KNOWN FOR: Pulitzer Prize–winning author Edna Ferber wrote books and plays that became movies like Show Boat, Giant, and Stage Door.

American novelist and short-story writer who wrote with compassion and curiosity about Midwestern American life.
Ferber grew up mostly in her native Kalamazoo, Michigan, and in Appleton, Wisconsin (in between her family moved to several Midwestern towns). Her father, born in Hungary, was a merchant. She began her career at age 17 as a reporter in Appleton, later working for the Milwaukee Journal. Her early stories introduced a traveling petticoat saleswoman named Emma McChesney, whose adventures are collected in several books, including Emma McChesney & Co. (1915). Emma was the first of Ferber’s strong, enterprising women characters. Ferber’s characters are firmly tied to the land, and they experience conflicts between their traditions and new, more dynamic trends. Although her books are somewhat superficial in their careful attention to exterior detail at the expense of profound ideas, they do offer an accurate, lively portrait of middle-class Midwestern experience in 1920s and ’30s America.

So Big (1924)—about a woman truck gardener who provides for her son by her enterprise in managing the unsuccessful farm her husband left her—won a Pulitzer Prize. Show Boat (1926), the tale of a showboat trouper who is deserted by her husband and in the interests of survival becomes a successful singer, was made into a popular musical play by Jerome Kern and Oscar Hammerstein. Critics hailed Ferber as the greatest woman novelist of the period. Her novels Cimarron (1930), Saratoga Trunk (1941), Giant (1952), and Ice Palace (1958) were all made into motion pictures. Her autobiographies, A Peculiar Treasure (1939), which focuses in part on Ferber’s pride in her Jewish heritage, and A Kind of Magic (1963), evince her genuine and encompassing love for America.

She was associated with the Algonquin Round Table of literary wits, and she collaborated with George S. Kaufman on a number of plays, including Dinner at Eight (1932) and Stage Door (1936).

Edith Head – Style Icon

If you are a fan of classic movies and pay attention to scenery and costuming, you already know Edith Head.  She had THE influence on American style before clotting designers were known.  A quick search for her on IMDB will soon have you realizing that her touch was added to most of the films that you know and love.  Ladies and gentlemen, Edith Head. Style Icon

NAME: Edith Head
OCCUPATION: Fashion Designer
BIRTH DATE: October 28, 1897
DEATH DATE: October 24, 1981
PLACE OF BIRTH: San Bernardino, California
PLACE OF DEATH: Hollywood, California

BEST KNOWN FOR: Edith Head was one of the most prolific costume designers in 20th century film, winning a record eight Academy Awards.

Edith Head (born October 28, 1897) became chief designer at Paramount Pictures in 1933 and later worked at Universal. Hollywood’s best-known designer, her costumes ranged from the elegantly simple to the elaborately flamboyant. She won a record eight Academy Awards for her work in films such as All About Eve (1950), Roman Holiday (1953), and The Sting (1973).

She became chief designer at Paramount Pictures in 1933 and later worked at Universal. Hollywood’s best-known designer, she was noted for the wide range of her costumes, from the elegantly simple to the elaborately flamboyant. She won a record eight Academy Awards for her work in films such as All About Eve (1950), Roman Holiday (1953), and The Sting (1973).

As part of a series of stamps issued by the U.S. Postal Service in February 2003, commemorating the behind-the-camera personnel who make movies, Head was featured on one to honor costume design.

The band They Might Be Giants recorded the song “She Thinks She’s Edith Head,” which was included in the 1999 album Long Tall Weekend and the 2001 album Mink Car. The song is about a girl from the singer’s past, who had changed her persona to be more sophisticated, and compares her new attitude to Head and longtime Cosmopolitan editor-in-chief Helen Gurley Brown.

To many viewers of the 2004 Pixar/Disney computer-animated film The Incredibles, the personality and mannerisms of the film’s fictional superhero costume designer Edna Mode suggest a colorful caricature of Edith Head. Edna Mode’s sense of style, round glasses, and assertive no-nonsense character are very likely a direct homage to Head’s legendary accomplishments and personal traits. But the film’s director, Brad Bird, has not yet confirmed or denied this.

Fred Rogers – Style Icon

Fred Rogers would be 84 today.  He was the kindest, most gentle adult that most kids my age every knew.  He spoke to us as people and inspired us to think about our feelings.  He taught us empathy and compassion.  He changed our lives and the world is a better place because of him.  Ladies and gentlemen, Fred Rogers.  Style Icon.

NAME: Fred McFeely Rogers
OCCUPATION: Minister, Television Personality
BIRTH DATE: March 20, 1928
DEATH DATE: February 27, 2003
EDUCATION: Rollins College, Pittsburgh Theological Seminary
PLACE OF BIRTH: Latrobe, Pennsylvania
PLACE OF DEATH: Pittsburgh, Pennsylvania
AKA: Mister Rogers

BEST KNOWN FOR: The much-loved host of the public television show, Mr. Rogers’ Neighborhood, which ran on PBS from 1968 to 2001.

Fred McFeely Rogers (March 20, 1928 – February 27, 2003) was an American educator, Presbyterian minister, songwriter, author, and television host. Rogers was most famous for creating and hosting Mister Rogers’ Neighborhood (1968–2001), that featured his gentle, soft-spoken personality and directness to his audiences.

Initially educated to be a minister, Rogers was displeased with the way television addressed children and made an effort to change this when he began to write for and perform on local Pittsburgh-area shows dedicated to youth. The Public Broadcasting System developed his own nationally-aired show in 1968 and, over the course of three decades on television, he became an indelible American icon of children’s entertainment and education, as well as a symbol of compassion, patience, and morality. He was also known for his advocacy of various public causes. His testimony before a lower court in favor of time shifting was cited in a U.S. Supreme Court decision on the Betamax case, and he gave now-famous testimony to a U.S. Senate committee, advocating government funding for children’s television.

Rogers was honored extensively for his life work in children’s education. He received the Presidential Medal of Freedom, the United States’ highest civilian honor; a Peabody Award for his career; and was inducted into the Television Hall of Fame. Two resolutions recognizing his work were unanimously passed by U.S. Congress, one of his trademark sweaters was acquired and is on display at the Smithsonian Institution, and several buildings and works of art in Pennsylvania are dedicated to his memory.

In 1996, Mister Fred Rogers was ranked #35 on TV Guide’s 50 Greatest TV Stars of All Time.

I’m not that interested in ‘mass’ communications. I’m much more interested in what happens between this person and the one person watching. The space between the television set and that person who’s watching is very holy ground.

J.P. Morgan Chase’s Ugly Family Secrets Revealed – Rolling Stone

Family Secrets Revealed

POSTED: 


In a story that should be getting lots of attention, American Banker has released an excellent and disturbing exposé of J.P. Morgan Chase‘s credit card services division, relying on multiple current and former Chase employees. One of them, Linda Almonte, is a whistleblower whom I’ve known since last September; I’m working on a recount of her story for my next book.

One of the things we were promised by the lawmakers who passed the Dodd-Frank reform bill a few years back is that this would be a new era for whistleblowers who come forward to tell the world about problems in our financial infrastructure. This story now looms as a test case for that proposition. American Banker reporter Jeff Horwitz did an outstanding job in this story detailing the sweeping irregularities in-house at Chase, but his very thoroughness means the news may have ramifications for Linda, which is why I’m urging people to pay attention to this story in the upcoming weeks.

The Cliff’s Notes version of the story goes something like this: Late in 2009, Chase’s credit card services division sold a parcel of nearly $200 million worth of credit card judgments to a debt collector at a discount. This common practice in the credit-card industry is a little like a bookie selling the outstanding debts of his delinquent gamblers to a leg-breaker for 25 cents on the dollar. If the leg-breaker gets half the delinquents to pay, the deal works out for both sides — the bookie gets 25 percent of money he wasn’t going to collect, and the leg-breaker makes a 100 percent profit.

In the case of credit cards, of course, you’re selling the debts to collection agents, not leg-breakers, but aside from that unpleasantly minor distinction the process is the same. The most valuable kinds of sales in this world are sales of credit card judgments, in other words accounts in which the debtor has already been successfully brought to court. That, ostensibly, is what this bloc of accounts Chase sold in 2009 involved.

Almonte came to Chase in the summer of 2009 as a mid-level executive in the credit card services division’s offices in San Antonio, and was quickly put in charge of preparing the documentation for this enormous sale of credit card judgments. When Chase regional offices from places like southern California and Illinois began sending in the papers for these “judgments,” Almonte very soon found out that something was seriously wrong. From Horwitz’s piece:

Nearly half of the files [Linda's] team sampled were missing proofs of judgment or other essential information, she wrote to colleagues. Even more worrisome, she alleged in her wrongful-termination suit, nearly a quarter of the files misstated how much the borrower owed.

In the “vast majority” of those instances, the actual debt was “lower that what Chase was representing,” her suit stated.

Linda subsequently found an enormous range of errors. Some judgments, she told me, were not judgments at all. In some cases, she said, Chase actually owed the customer money.

When she brought these concerns to her superiors, what do you think their response was? They told her and others to shut up and just sell the stuff anyway. Her boss, Jason Lazinbat, allegedly told her “she had better go along with the plan to sell the misrepresented asset.”

Think of the consequences of this: because Chase was so anxious to make money off this debt sale, countless credit card borrowers would now have collection agents chasing them for money they did not owe. The debt-buyer, too, was victimized by being sold accounts it could not collect on. It is almost impossible to estimate how many man-hours of pointless court proceedings would be lost because of this decision.

Anyway, when Linda refused to go along with the sale, she was fired. This was in November of 2009. She then went through a post-firing odyssey that is an epic tale in itself: her many attempts to get any of the major bank regulators interested in this case were disturbingly fruitless for a long time (although the Office of the Comptroller of the Currency is apparently looking into it now), and she struggled to find work in the industry.

She has been repeatedly harassed and has gone through all sorts of personal hardship as a result of this incident. She filed a whistleblower claim with the SEC as part of the new whistleblower program created by Dodd-Frank, but so far there’s been no progress there.

When I met Linda last year, my first reaction to her story was that I was skeptical. The tale she told went far beyond the bank knowingly selling millions of dollars worth of errors into the financial system. She also recounted, firsthand, the bank’s elaborate robosigning operation, which Horvitz, talking to other Chase employees, also discussed:

“We did not verify a single one” of the affidavits attesting to the amounts Chase was seeking to collect, says Howard Hardin, who oversaw a team handling tens of thousands of Chase debt files in San Antonio. “We were told [by superiors] ‘We’re in a hurry. Go ahead and sign them.’”

And there were other stories…suffice to say that the picture Linda painted of life inside Chase reminded me a little of Upton Sinclair’s The Jungle: they were putting just about everything into those sausages. When I was writing it all up for my book I went through a period where I was waking up nights, seized with the urge to close every credit account I had – her story makes you think that most credit card companies are essentially indistinguishable from giant identity theft operations.

Again, though, when I first heard the story, I was skeptical – until I found other people in the company who verified Almonte’s account, all the way down the line. Horvitz, too, found numerous employees in Chase’s credit card services division who confirmed the story of the company knowingly selling a mountain of errors into the market, and manufacturing robo-signed documents to the tune of thousands per week.

The financial crash wouldn’t have happened if even a slim plurality of financial executives had done what Linda Almonte did, i.e. simply refuse to sign off on a bogus transaction. If companies had merely upheld their own stated policies and stayed within the ballpark of the law, none of these messes could have accumulated: fraudulent mortgages wouldn’t have been sold, families wouldn’t have been foreclosed upon based on robo-signed documentation, investors wouldn’t have been duped into buying huge packets of “misrepresented assets.”

But most executives didn’t refuse to go along, precisely because powerful companies make it so hard on people who come forward. Almonte, after being fired, entered into a modest settlement with Chase that prohibited her from coming forward publicly. At the time she entered into the settlement she was in an extremely desperate state, and she made a bad decision, taking a very bad deal.

Still, like Jeffery Wygand, the tobacco scientist from the movie The Insider, she was sitting on top of a story that, morally speaking, should not ever be protected by a confidentiality agreement — and the subsequent lack of regulatory action eventually moved her to speak out to people like Horvitz and me. Of course, now that her story is out there in public, the concern is that the bank will move swiftly to take her to court.

This person does not have any money, so an action by Chase at this point would be purely punitive, to send a message to future whistleblowers. They’ll be more likely to do it if they think no one is paying attention. I’ll keep you posted on that score.

In the meantime, please check out Horvitz’s piece. It should give everyone who has a credit card pause.


via J.P. Morgan Chase’s Ugly Family Secrets Revealed | Matt Taibbi | Rolling Stone.