Tag Archives: Joseph L. Mankiewicz

Joseph Leo Mankiewicz – Style Icon

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Joseph  Mankiewicz is has had a direct influence in making films that rank amongst the best ever made.  Just running through his list is like reading off everyone’s favorite movies.  Seeing his name at the beginning of a film calmed you, reassured you and let you know that you were about to witness something special.  His words and his direction are the reasons that you love some of the movie stars that you love.  Ladies and gentlemen, Joseph Leo Mankiewicz.  Style Icon.NAME: Joseph Leo Mankiewicz
OCCUPATION: Director, Producer, Screenwriter
BIRTH DATE: February 11, 1909
DEATH DATE: February 05, 1993
EDUCATION: Columbia University
PLACE OF BIRTH: Wilkes-Barre, Pennsylvania
PLACE OF DEATH: Mount Kisco

BEST KNOWN FOR: American producer, director, and screenwriter Joseph L. Mankiewicz was known for creating memorable characters. He worked with many major Hollywood stars.

Joseph Leo Mankiewicz (11 February 1909 – 5 February 1993) was an American film director, screenwriter, and producer. Mankiewicz had a long Hollywood career and is best known as the writer-director of All About Eve (1950), which was nominated for 14 Academy Awards and won six. He was brother to screenwriter and drama critic Herman J. Mankiewicz who also won an Oscar for co-writing Citizen Kane (1941).

Comfortable in a variety of genres and able to elicit career performances from actors and actresses alike, Joseph L. Mankiewicz combined ironic, sophisticated scripts with a precise, sometimes stylised mise en scène. Mankiewicz worked for seventeen years as a screenwriter for Paramount and as a producer for MGM before getting a chance to direct at Twentieth Century-Fox. Over six years he made 11 films for Fox, reaching a peak in 1950 and 1951 when he won consecutive Academy Awards for Screenplay and Direction for both A Letter to Three Wives and All About Eve.

During his long career in Hollywood, Mankiewicz wrote forty-eight screenplays, including All About Eve, for which he won an Academy Award. He also produced more than twenty films including The Philadelphia Story which was nominated for the Academy Award for Best Picture in 1941. However, he is best known for the films he directed, twice winning the Academy Award for Best Director. In 1944, he produced The Keys of the Kingdom, which starred Gregory Peck, and featured Mankiewicz’s then-wife, Rose Stradner, in a supporting role as a nun.

In 1951, Mankiewicz left Fox and moved to New York, intending to write for the Broadway stage. Although this dream never materialised, he continued to make films (both for his own production company Figaro and as a director-for-hire) that explored his favourite themes — the clash of aristocrat with commoner, life as performance and the clash between people’s urge to control their fate and the contingencies of real life.

In 1953, he directed Julius Caesar for MGM, an adaptation of Shakespeare’s play. It received widely favorable reviews, and David Shipman, author of the book The Great Movie Stars: The Hollywood Years, called it “perhaps the finest Shakespeare film ever made”. The film serves as the only record of Marlon Brando in a Shakespearean role; he played Mark Antony, and received an Oscar nomination for his performance.

In 1958, Mankiewicz directed The Quiet American, an adaptation of Graham Greene‘s 1955 novel about the seed of American military involvement in what would become the Vietnam War. Mankiewicz, under career pressure from the climate of anti-Communism and the Hollywood blacklist, distorted the message of Greene’s book, changing major parts of the story to appeal to a nationalistic audience. A cautionary tale about America’s blind support for “anti-Communists” was turned into, according to Greene, a “propaganda film for America”.

Cleopatra consumed three years of Mankiewicz’s life and ended up both derailing his career and causing severe financial losses for the studio, Twentieth Century-Fox. Mankiewicz made more films, however, garnering an Oscar nomination for Best Direction in 1972 for Sleuth, his final directing effort, starring Laurence Olivier and Michael Caine. In 1983, he was a member of the jury at the 33rd Berlin International Film Festival.

He was the younger brother of Herman J. Mankiewicz. His sons are Eric Reynal (from his first marriage), the late writer/director Tom Mankiewicz and producer Christopher Mankiewicz. He also has a daughter, Alex Mankiewicz. His great-nephew is radio & television personality Ben Mankiewicz, currently on TCM.

Mankiewicz, who died in 1993, six days before his 84th birthday, was interred in Saint Matthew’s Episcopal Churchyard cemetery, Bedford, New York.

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Thelma Ritter – Style Icon

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Thelma Ritter is one of the actors that will make me want to watch the movie if she is in it, no matter how small. She perfected the working class voice of reason character that kept all the other characters from getting too out of touch. And if they did, she had no problem telling them so. Watch her in “Rear Window” and “The Misfits” and you will want to add every movie she is in to your Netflix queue. Ladies and gentlemen, Thelma Ritter. Style Icon.

Born February 14, 1902 Brooklyn, New York, U.S.
Died February 5, 1969 (aged 66) New York City, New York, U.S.
Occupation Actress

BEST KNOWN FOR: American actress. She typically played working class characters and was noted for her distinctive voice, with a strong Brooklyn accent.

Ritter did stock theater and radio shows early in her career, without much impact. Ritter’s first movie role was in Miracle on 34th Street (1947). She made a memorable impression in a brief uncredited part, as a frustrated mother unable to find the toy that Kris Kringle has promised to her son. Her second role, in writer-director Joseph L. Mankiewicz‘s A Letter to Three Wives (1949), also left a mark, although Ritter was again uncredited.

Mankiewicz kept Ritter in mind, and cast her as “Birdie” in All About Eve (1950), which earned her an Oscar nomination. A second nomination followed for her work in Mitchell Leisen’s’ classic ensemble screwball comedy The Mating Season (1951) starring Gene Tierney and John Lund. Ritter enjoyed steady film work for the next dozen years. She also appeared in many of the episodic drama TV series of the 1950s, such as Alfred Hitchcock Presents, General Electric Theater, and The United States Steel Hour. Other film roles were as James Stewart’s nurse in Rear Window (1954) and as Doris Day‘s housekeeper in Pillow Talk (1959). Although best-known for comedy roles, she played the occasional dramatic role, most notably in Pickup on South Street (1953), Titanic (1953), and The Misfits (1961).

Thelma Ritter – Style Icon.

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Thelma Ritter – Style Icon

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A good St. Valentine’s Day to you.  It is also Thelma Ritter‘s birthday, she would have been 100.  Thelma Ritter is one of the actors that will make me want to watch the movie if she is in it, no matter how small.  She perfected the working class voice of reason character that kept all the other characters from getting too out of touch.  And if they did, she had no problem telling them so.  Watch her in “Rear Window” and “The Misfits” and you will want to add every movie she is in to your Netflix queue.  Ladies and gentlemen, Thelma Ritter.  Style Icon.

Born February 14, 1902 Brooklyn, New York, U.S.
Died February 5, 1969 (aged 66) New York City, New York, U.S.
Occupation Actress

BEST KNOWN FOR: American actress. She typically played working class characters and was noted for her distinctive voice, with a strong Brooklyn accent.

Ritter did stock theater and radio shows early in her career, without much impact. Ritter’s first movie role was in Miracle on 34th Street (1947). She made a memorable impression in a brief uncredited part, as a frustrated mother unable to find the toy that Kris Kringle has promised to her son. Her second role, in writer-director Joseph L. Mankiewicz‘s A Letter to Three Wives (1949), also left a mark, although Ritter was again uncredited.

Mankiewicz kept Ritter in mind, and cast her as “Birdie” in All About Eve (1950), which earned her an Oscar nomination. A second nomination followed for her work in Mitchell Leisen’s’ classic ensemble screwball comedy The Mating Season (1951) starring Gene Tierney and John Lund. Ritter enjoyed steady film work for the next dozen years. She also appeared in many of the episodic drama TV series of the 1950s, such as Alfred Hitchcock Presents, General Electric Theater, and The United States Steel Hour. Other film roles were as James Stewart’s nurse in Rear Window (1954) and as Doris Day‘s housekeeper in Pillow Talk (1959). Although best-known for comedy roles, she played the occasional dramatic role, most notably in Pickup on South Street (1953), Titanic (1953), and The Misfits (1961).