Smells Like Teen Spirit

We drive by Kurt and Courtney‘s old house a lot on our way home, we drive by the park where there are always people taking pictures of the bench and leaving flowers and candles.  For some reason, I like the idea that people are still drawn to his tiny little park.  His enormous hedge of rhododendrons is threatening to bloom and will do just that any day, I will share a photo when it does.Kurt Cobain hand-wrote the following to-do list mid-1991, as Nirvana prepared to film the now-iconic music video for Smells Like Teen Spirit. It was eventually filmed on a sound stage and directed by Samuel Bayer.

Transcript follows. Image from the book, Kurt Cobain: Journals.

Transcript

Smells Like Teen Spirt

needed

1. Mercedes benz and a few old cars

2. Access to a abandoned mall, main floor and one Jewelry shop.

3. lots of fake Jewelry

4. School Auditorium (Gym)

5. A cast of hundreds. 1 custodian, students.

6. 6 black Cheerleader outfits with Anarchy A’s Ⓐ on chest

Frances Farmer – Style Icon

There is something about her, the biopic with Jessica Lange helped push her into cult icon status for me.  Seattle girl, free thinker, rule breaker and getting a raw deal from Hollywood all inspire other artists.  They understand the misunderstood.  She is the glamorous Hollywood misfit queen of all misfits.  I think of her several times a week when I walk by the employee side entrance to to the Olympic Hotel in Seattle, a door I know that she went through hundreds of times in the early 1950′s when she took a job sorting laundry after her release from a mental hospital.  How she must have felt going in that side door when only 14 years earlier, that very same hotel had held the world premier of her film “Come and Get It.”  I think of that aching feeling of betrayal and abandonment and the complexities of mental instability, it must have been crippling.  (It is a similar feeling that I have when I am driving home and pass Kurt Cobain’s house and see the bench in “Kurt’s Park” covered with flowers and burning candles, even this weekend.)  Ladies and gentlemen, Frances Farmer.  Style Icon.NAME: Frances Farmer
OCCUPATION: Film Actress
BIRTH DATE: September 19, 1913
DEATH DATE: August 01, 1970
EDUCATION: University of Washington
PLACE OF BIRTH: Seattle, Washington
PLACE OF DEATH: Indianapolis, Indiana

BEST KNOWN FOR: Actress Frances Farmer starred in films in the late ‘30s and early ‘40s, but was best known for her rebellious reputation and the time she spent in a mental institution.

Born September 19, 1913, in Seattle, Washington. The daughter of a lawyer, Farmer enjoyed a comfortable childhood, during which she developed a penchant for stage acting. In 1931, she enrolled at the University of Washington, where she majored in journalism and drama. After a failed attempt to join the Group Theatre in New York, Farmer concentrated on a film career, signing with Paramount Studios in 1936. Later that year, she was cast in a bit part in the drama Too Many Parents, followed by Border Flight and the musical Rhythm on the Range, starring Bing Crosby. Playing the dual role of a saloon singer and her daughter, Farmer’s work in the 1936 film Come and Get It, was heralded as the best screen performance of her career.

Despite Farmer’s initial success, she quickly earned a reputation as a demanding and rebellious actress on the set. Displeased with her attitude, Paramount cast her in bland parts in a handful of films, including Exclusive and Ebb Tide (both 1937). By the early 1940s, Farmer was forced to appear in a succession of inferior productions, including South of Pago Pago (1940), World Premiere, and Among the Living (both 1941).

In 1942, Farmer’s career enjoyed a brief resurgence when she was cast opposite Tyrone Power and Roddy McDowall in the swashbuckler Son of Fury. However, Farmer’s efforts to improve her image backfired when she was arrested and convicted of drunk driving at the time of the film’s release. Inundated with negative publicity, Farmer traveled to Mexico. However, by leaving the United States, she was found in violation of her probation. She was put on trial and deemed mentally ill. Farmer was committed to a mental institution where she underwent shock treatments, hydrotherapy baths, and reportedly received a trans-orbital lobotomy. Over the next few years, her physical and mental health deteriorated; she developed a debilitating dependency on alcohol and suffered from a series of nervous breakdowns.

Upon her release from the institution, in 1949, Farmer worked as a hotel receptionist before making a comeback appearance on the Ed Sullivan Show in 1957. The following year, she starred in her last feature film, The Party Crashers, and began a six-year run on the Indianapolis-based TV show Frances Farmer Presents.

On August 1, 1970, Farmer died after a long battle with cancer; she was 56 years old. Her intimate autobiography, Will There Really Be a Morning?, was published posthumously in 1972. In the early 1980s, her story was captured on film in the biopic Frances (1982), starring Jessica Lange, and in the black and white documentary Committed (1983).

More than two decades after Farmer’s death, the alternative rock group Nirvana recorded the single “Frances Farmer Will Have Her Revenge on Seattle.” Written by lead singer Kurt Cobain, the tribute appeared on the band’s In Utero (1993) album. Cobain also named his daughter, Frances Bean Cobain, after Farmer.

Farmer was married three times: to actor Leif Erickson (from 1936-42); to Alfred Lobley (from 1953-58); and to Leland Mikesell (from 1958 until her death).

In Popular Culture:

  • Jessica Lange played Farmer in the 1982 film Frances, for which she was nominated for an Academy Award for Best Actress. Kim Stanley was nominated for an Academy Award for Best Supporting Actress for portraying Farmer’s mother. The film contained a fictional scene which depicted Farmer undergoing a transorbital lobotomy. In Hollywood style, the film also omitted numerous facts and added a fictional life-long, love-interest character named “Harry”.
  • Susan Blakely portrayed Farmer in a 1983 television production Will There Really Be a Morning?, which was named after Farmer’s autobiography. Academy Award winner Lee Grant portrayed her mother in the same production.
  • In 1984, Culture Club had a #32 hit in the UK Single Charts “The Medal Song”, which was about the actress.
  • Tracey Thorn’s song “Ugly Little Dreams” on Everything But The Girl’s 1985 LP “Love Not Money” was also inspired by Frances Farmer.
  • The Nirvana song “Frances Farmer Will Have Her Revenge on Seattle”, which was written by fellow Washington native Kurt Cobain, was named after Farmer. It appears on their 1993 “In Utero” LP.
  • Patterson Hood, singer, guitarist and songwriter with the rock band Drive-By Truckers, included a song about Farmer (titled “Frances Farmer”) on his 2004 solo album, Killers and Stars. The album’s cover features a drawing of Farmer by Toby Cole.
  • Carol Decker of the band T’Pau wrote a song “Monkey House” about Frances Farmer’s mental illness which was featured on the 1987 album “Bridge Of Spies”.
  • French singer Mylène Jeanne Gautier, changed her name into Mylène Farmer as a tribute to Frances.

“The P.S.A. on SPA” or “How I Became the Guy I’m Becoming”

When sexual abuse is frequently in the news, I unfortunately get to relive my own.  I relive it, but I relive the whole story of my life, not just the abuse.  It is a trick I have figured out for dealing with the difficult memories.  I can relive the abuse and the years of hating myself and wanting to die, but I also make myself relive the part where I begin to figure it out and I start to like myself.  There is no avoiding being reminded of the abuse, but I chose to remind myself of how far I’ve come from there.

I wrote the below piece a while ago and have edited it bit by bit over time.  It all still matches what I believe and I still sometimes have to go against my first reaction and behave in the way the person I want to be would behave.  I still sometimes “fake it.”  Those situations are seldom, but I still occasionally find myself thinking “the old Scott would do this or that” and then choosing to do the opposite.

The P.S.A. on SPA
The first 25 years of my life, I had a different name, actually 25 years and 28 days.  On the 17th of February 1995, Scott Parker-Anderson was born.  My original name has been lost to history.  I took “Parker” from my maternal grandfather’s last name and “Anderson” from my maternal grandmother’s maiden name.  I also dropped my first name completely.  The act of a name change is mostly ceremonial, a marker of change, nothing happens inside of you when you do it.  It is usually an outward feature of something that has or is in the process of happening internally.

I was sexually abused by my grandfather, my father’s father, when I was quite young, five years and younger.  It is a bit confusing, that term:  ”sexually abused,” I was raped.  That explains it.  I was pinned face down to the bed and raped.  My face was pushed to his crotch and mouth forced open, tears mixing with snot, and raped.  My thoughts and feelings on a man who, when entrusted with the safety and well-being of a child, his first and only grandson, chooses to absolutely destroy that child are obvious. He was a predator and a monster, and I feel sorry for whatever happened to him that caused him to lose his perspective of right and wrong.  None of that changes anything, what happened, happened, and I saw no need in keeping his last name.

Looking back, I was your standard-issue “abused boy.”  I wet the bed, I was a bad student, I was angry and depressed, scared, everything  It is easy to look back and see everything so clearly, so obvious, so black and white.  While you are in it and while it is happening, it is not so obvious to you or people around you.  It takes a while for a kid to understand what happened, to put it into perspective, and be able to express it in words, and to not feel like it was his fault or he deserved it. Until that time, the anger and depression tell the story.  It is interesting how life and circumstances and events all can snowball into creating a “you” that is so far from the real “you.”  The abuse manifests itself as depression and self hate, which results in bad grades, which causes the understandable conclusion of parents and teachers to think you aren’t very smart.  You are put on weekly interim grade reports by school counselors and was told by your father that your mother and sister got the brains in the family.  You start to believe it and see no reason in trying to prove anyone wrong.

Flash ahead to the 21st of May 1994.  My cousin Erik committed suicide  The first thing I thought and possibly said when my mother told me was “he really did it.”  I had thought and daydreamed about doing it for years.  I mean, why not?  I was stupid and worthless and ugly, I was never going to amount to anything, so why bother keeping on with it?  Right about a month before, Kurt Cobain had done the same thing, which in Seattle was the equivalent to losing a brother.  Something changed inside me on that day.  I had spent several summers with Erik and had been more than once compared to him in various ways, including as the family’s “Black Sheep” by relatives that had no way of knowing the whole story.

I guess the seeds of change had been planted before that day, I was reading books and trying to create more peace inside and around me, but that day, it was presented to me as a yes or no choice.  ”Are you going this way or are you going that way?”  Make up your mind.

I went to the lake house and lived there alone all summer.  I read and wrote and walked in the woods.  I would walk way up into the woods at night, away from all the electric lights, lay on my back, and stare at the stars.  I would try to memorize their order and pattern.  I would think about how many there were and how small I was and how small my problems were.  I made promises to myself, to be everything I wanted to be, to not need anyone, and to behave in a manner that made me proud of who I am.  I thought that as long as I could look up and see the stars no matter where I was, I would be familiar.

The thing about sexual abuse is that it happens to you for a specific amount of time and then the abuse stops.  But the thought patterns and self-destructive behavior that it creates continue the abuse for years and years, until you stop it.  He may have raped me when I was five years old, but I continued to tell myself how worthless and stupid and ugly I was for the next twenty.

The results of all this introspective work in the beginning makes everything seem and feel much worse.  Like stirring up the silt on the bottom of the lake, the water looks clear and clean until all that has settled to the bottom gets mixed up back to the surface.  Things often get worse before they get better, I think that is why so few people make the changes without a rather extreme catalyst.

The fall of 1994, I went to work in Seattle and in time, moved back to the city.  I continued reading and sticking to the promises I had made.  I became a huge believer in “Fake it ‘Till You Make it” as far as how I was treating others and myself.  Over time, gradually, I began to have a rough outline of who I wanted to be.  I had the framework of SPA.  Then, on my lunch break on the 17th of February 1995, I swore in front of a judge that I was not running from anything and she read to herself my explanation, asked me if everything I had written was true and correct, and granted me my new name.  I took those papers and walked to the DMV and got a new drivers license and went back to work a different person.

In no way, shape, or form was the process of transformation complete then any more than I think it is now.  I have created a habit and belief in me that  frequent and regular, if not constant, evaluation of my decisions, thought patterns, and reasonings is required for me to continue my path to who I want to be.  I think that part of who I want to be is someone who is evaluating himself, and not just sitting back, creating outdated ways of operating, getting stuck in ruts that do not support who I want to become.

Fourteen years later, I went back to the place I last saw Erik, the place where he took his life.  In more ways than I think I had every really realized, I owe him my life.  I was part of the results of his decision to kill himself, and while I hated myself, I didn’t hate everyone around me.  I couldn’t do that to them.  There were other casualties from my decision.  After telling my father, he vanished from my life.  I haven’t seen or heard from him or anyone from his side of the family since.  I hear third-hand reports of their lives, but not once have they attempted to make contact.  That grandfather died at some point, I got the news from my mother whose coworker had read the obituary in the newspaper.  One last casualty was my sister’s name, she changed it away from the name she grew up with to honor our maternal grandparents.

We are all born and raised differently, with circumstances, some better than others.  If I could travel through time back to when I was that young boy and protect him, would I?  I probably would.  But who would I be today?  We are all products of our life experience and how we decide to interpret it, are we not?  I am happy with the SPA of today and wonder if without being confronted with the decision of living or dying, without being pushed to that point, would I have created the changes needed to be the same today?  I don’t know.

What is the point of telling people all this?  Originally, a lot of the power that abuse has is because it is kept a secret, that the kids feel that it is their fault or feel guilty or embarrassed.  None of those things are real.  I did nothing, I was a kid, an innocent.  Keeping the secret only protects the abuser.  Telling it removes the power, telling it kills the secret.

Frances Farmer – Style Icon

NAME: Frances Farmer
OCCUPATION: Film Actress
BIRTH DATE: September 19, 1913
DEATH DATE: August 01, 1970
EDUCATION: University of Washington
PLACE OF BIRTH: Seattle, Washington
PLACE OF DEATH: Indianapolis, Indiana

BEST KNOWN FOR: Actress Frances Farmer starred in films in the late ‘30s and early ‘40s, but was best known for her rebellious reputation and the time she spent in a mental institution.

Born September 19, 1913, in Seattle, Washington. The daughter of a lawyer, Farmer enjoyed a comfortable childhood, during which she developed a penchant for stage acting. In 1931, she enrolled at the University of Washington, where she majored in journalism and drama. After a failed attempt to join the Group Theatre in New York, Farmer concentrated on a film career, signing with Paramount Studios in 1936. Later that year, she was cast in a bit part in the drama Too Many Parents, followed by Border Flight and the musical Rhythm on the Range, starring Bing Crosby. Playing the dual role of a saloon singer and her daughter, Farmer’s work in the 1936 film Come and Get It, was heralded as the best screen performance of her career.

Despite Farmer’s initial success, she quickly earned a reputation as a demanding and rebellious actress on the set. Displeased with her attitude, Paramount cast her in bland parts in a handful of films, including Exclusive and Ebb Tide (both 1937). By the early 1940s, Farmer was forced to appear in a succession of inferior productions, including South of Pago Pago (1940), World Premiere, and Among the Living (both 1941).

In 1942, Farmer’s career enjoyed a brief resurgence when she was cast opposite Tyrone Power and Roddy McDowall in the swashbuckler Son of Fury. However, Farmer’s efforts to improve her image backfired when she was arrested and convicted of drunk driving at the time of the film’s release. Inundated with negative publicity, Farmer traveled to Mexico. However, by leaving the United States, she was found in violation of her probation. She was put on trial and deemed mentally ill. Farmer was committed to a mental institution where she underwent shock treatments, hydrotherapy baths, and reportedly received a trans-orbital lobotomy. Over the next few years, her physical and mental health deteriorated; she developed a debilitating dependency on alcohol and suffered from a series of nervous breakdowns.

Upon her release from the institution, in 1949, Farmer worked as a hotel receptionist before making a comeback appearance on the Ed Sullivan Show in 1957. The following year, she starred in her last feature film, The Party Crashers, and began a six-year run on the Indianapolis-based TV show Frances Farmer Presents.

On August 1, 1970, Farmer died after a long battle with cancer; she was 56 years old. Her intimate autobiography, Will There Really Be a Morning?, was published posthumously in 1972. In the early 1980s, her story was captured on film in the biopic Frances (1982), starring Jessica Lange, and in the black and white documentary Committed (1983).

More than two decades after Farmer’s death, the alternative rock group Nirvana recorded the single “Frances Farmer Will Have Her Revenge on Seattle.” Written by lead singer Kurt Cobain, the tribute appeared on the band’s In Utero (1993) album. Cobain also named his daughter, Frances Bean Cobain, after Farmer.

Farmer was married three times: to actor Leif Erickson (from 1936-42); to Alfred Lobley (from 1953-58); and to Leland Mikesell (from 1958 until her death).

Jessica Lange played Farmer in the 1982 film Frances, for which she was nominated for an Academy Award for Best Actress. Kim Stanley was nominated for an Academy Award for Best Supporting Actress for portraying Farmer’s mother. The film contained a fictional scene which depicted Farmer undergoing a transorbital lobotomy. In Hollywood style, the film also omitted numerous facts and added a fictional life-long, love-interest character named “Harry”.

Susan Blakely portrayed Farmer in a 1983 television production Will There Really Be a Morning?, which was named after Farmer’s autobiography. Academy Award winner Lee Grant portrayed her mother in the same production.

In 1984, Culture Club had a #32 hit in the UK Single Charts “The Medal Song”, which was about the actress.

Tracey Thorn’s song “Ugly Little Dreams” on Everything But The Girl’s 1985 LP “Love Not Money” was also inspired by Frances Farmer.

The Nirvana song “Frances Farmer Will Have Her Revenge on Seattle”, which was written by fellow Washington native Kurt Cobain, was named after Farmer. It appears on their 1993 “In Utero” LP.

Patterson Hood, singer, guitarist and songwriter with the rock band Drive-By Truckers, included a song about Farmer (titled “Frances Farmer”) on his 2004 solo album, Killers and Stars. The album’s cover features a drawing of Farmer by Toby Cole.

Carol Decker of the band T’Pau wrote a song “Monkey House” about Frances Farmer’s mental illness which was featured on the 1987 album “Bridge Of Spies”.

French singer Mylène Jeanne Gautier, changed her name into Mylène Farmer as a tribute to Frances.

Kurt Cobain – Style Icon

He was the reluctant crown-prince of my generation.  Had he lived, he would be 45 today and an Indie Rock God Legend or a bloated cliche or a recluse.  There is no way to predict something that will never be.  We will always remember him as beautiful, and sad.  My family and I were in Aberdeen over the weekend and probably went over the Wishkah a half dozen times.  The rain was heavy and constant, like it always is this time of year, and we hid out in an old mausoleum in the cemetery where my great-grandparents  are buried.  If I were a kid growing up in Aberdeen, I would have made it one of my haunts, it is very quiet and empty and full of the forgotten founders of a town whose prime has passed.  Ladies and gentlemen, Kurt Cobain.  Style Icon.

Kurt Cobain, born in Aberdeen, Washington (1967). He was the son of an auto mechanic and a cocktail waitress. His parents divorced when he was seven, and the split was traumatic, which influenced a lot of the pain in his lyrics. “I remember feeling ashamed, for some reason,” he told an interviewer in 1993. “I was ashamed of my parents. I couldn’t face some of my friends at school anymore, because I desperately wanted to have the classic, you know, typical family. Mother, father. I wanted that security, so I resented my parents for quite a few years because of that.”

He dropped out of high school three weeks before graduation, took a job as a janitor, and started playing in a band. They called themselves Nirvana, pooled their money — $606 — and recorded their first album, Bleach, in 1989. Bleach did well enough to get them a contract with a major label. In 1991, the group came out with its second album, Nevermind, which received rave reviews and propelled the band to stardom. The album featured the singles “Come as You Are” and “Smells Like Teen Spirit.” Nevermind sold more than 24 million copies and Cobain became the reluctant poster child of Generation X.

In 2005, a sign was put up in Aberdeen, Washington, that read “Welcome to Aberdeen – Come As You Are” as a tribute to Cobain. The sign was paid for and created by the Kurt Cobain Memorial Committee, a non-profit organization created in May 2004 to honour Cobain. The Committee planned to create a Kurt Cobain Memorial Park and a youth center in Aberdeen. Because Cobain was cremated and his remains scattered into the Wishkah River in Washington, many Nirvana fans visit Viretta Park, near Cobain’s former Lake Washington home, to pay tribute. On the anniversary of his death, fans gather in the park to celebrate his life and memory.

“The P.S.A. on SPA” or “How I Became the Guy I’m Becoming”

When sexual abuse is frequently in the news, I unfortunately get to relive my own.  I relive it, but I relive the whole story of my life, not just the abuse.  It is a trick I have figured out for dealing with the difficult memories.  I can relive the abuse and the years of hating myself and wanting to die, but I also make myself relive the part where I begin to figure it out and I start to like myself.  There is no avoiding being reminded of the abuse, but I chose to remind myself of how far I’ve come from there.

I wrote the below piece a while ago and have edited it bit by bit over time.  It all still matches what I believe and I still sometimes have to go against my first reaction and behave in the way the person I want to be would behave.  I still sometimes “fake it.”  Those situations are seldom, but I still occasionally find myself thinking “the old Scott would do this or that” and then choosing to do the opposite.

The P.S.A. on SPA
The first 25 years of my life, I had a different name, actually 25 years and 28 days.  On the 17th of February 1995, Scott Parker-Anderson was born.  My original name has been lost to history.  I took “Parker” from my maternal grandfather’s last name and “Anderson” from my maternal grandmother‘s maiden name.  I also dropped my first name completely.  The act of a name change is mostly ceremonial, a marker of change, nothing happens inside of you when you do it.  It is usually an outward feature of something that has or is in the process of happening internally.

I was sexually abused by my grandfather, my father’s father, when I was quite young, five years and younger.  It is a bit confusing, that term:  ”sexually abused,” I was raped.  That explains it.  My thoughts and feelings on a man who when entrusted with the safety and well-being of a child, his first and grandson, chooses to absolutely destroy that child are obvious. He was a predator and a monster, and I feel sorry for whatever happened to him that caused him to lose his perspective of right and wrong.  None of that changes anything, what happened, happened, and I saw no need in keeping his last name.

Looking back, I was your standard-issue “abused boy.”  I wet the bed, I was a bad student, I was angry and depressed, scared, everything  It is easy to look back and see everything so clearly, so obvious, so black and white.  While you are in it and while it is happening, it is not so obvious to you or people around you.  It takes a while for a kid to understand what happened, to put it into perspective, and be able to express it in words, and to not feel like it was his fault or he deserved it. Until that time, the anger and depression tell the story.  It is interesting how life and circumstances and events all can snowball into creating a “you” that is so far from the real “you.”  The abuse manifests itself as depression and self hate, which results in bad grades, which causes the understandable conclusion of parents and teachers to think you aren’t very smart.  You are put on weekly interim grade reports by school counselors and was told by your father that your mother and sister got the brains in the family.  You start to believe it and see no reason in trying to prove anyone wrong.

Flash ahead to the 21st of May 1994.  My cousin Erik committed suicide  The first thing I thought and possibly said when my mother told me was “he really did it.”  I had thought and daydreamed about doing it for years.  I mean, why not?  I was stupid and worthless and ugly, I was never going to amount to anything, so why bother keeping on with it?  Right about a month before, Kurt Cobain had done the same thing, which in Seattle was the equivalent to losing a brother.  Something changed inside me on that day.  I had spent several summers with Erik and had been more than once compared to him in various ways, including as the family’s “Black Sheep” by relatives that had no way of knowing the whole story.

I guess the seeds of change had been planted before that day, I was reading books and trying to create more peace inside and around me, but that day, it was presented to me as a yes or no choice.  ”Are you going this way or are you going that way?”  Make up your mind.

I went to the lake house and lived there alone all summer.  I read and wrote and walked in the woods.  I would walk way up into the woods at night, away from all the electric lights, lay on my back, and stare at the stars.  I would try to memorize their order and pattern.  I would think about how many there were and how small I was and how small my problems were.  I made promises to myself, to be everything I wanted to be, to not need anyone, and to behave in a manner that made me proud of who I am.  I thought that as long as I could look up and see the stars no matter where I was, I would be familiar.

The thing about sexual abuse is that it happens to you for a specific amount of time and then the abuse stops.  But the thought patterns and self-destructive behavior that it creates continue the abuse for years and years, until you stop it.  He may have raped me when I was five years old, but I continued to tell myself how worthless and stupid and ugly I was for the next twenty.

The results of all this introspective work in the beginning makes everything seem and feel much worse.  Like stirring up the silt on the bottom of the lake, the water looks clear and clean until all that has settled to the bottom gets mixed up back to the surface.  Things often get worse before they get better, I think that is why so few people make the changes without a rather extreme catalyst.

The fall of 1994, I went to work in Seattle and in time, moved back to the city.  I continued reading and sticking to the promises I had made.  I became a huge believer in “Fake it ‘Till You Make it” as far as how I was treating others and myself.  Over time, gradually, I began to have a rough outline of who I wanted to be.  I had the framework of SPA.  Then, on my lunch break on the 17th of February 1995, I swore in front of a judge that I was not running from anything and she read to herself my explanation, asked me if everything I had written was true and correct, and granted me my new name.  I took those papers and walked to the DMV and got a new drivers license and went back to work a different person.

In no way, shape, or form was the process of transformation complete then any more than I think it is now.  I have created a habit and belief in me that frequent and regular, if not constant, evaluation of my decisions, thought patterns, and reasonings is required for me to continue my path to who I want to be.  I think that part of who I want to be is someone who is evaluating himself, and not just sitting back, creating outdated ways of operating, getting stuck in ruts that do not support who I want to become.

Fourteen years later, I went back to the place I last saw Erik, the place where he took his life.  In more ways than I think I had every really realized, I owe him my life.  I was part of the results of his decision to kill himself, and while I hated myself, I didn’t hate everyone around me.  I couldn’t do that to them.  There were other casualties from my decision.  After telling my father, he vanished from my and my sister’s lives.  We haven’t seen or heard from him or anyone from that side of the family since.  That grandfather died at some point, I got the news from my mother whose coworker had read the obituary in the newspaper.  One last casualty was my sister’s name, she changed it away from the name she grew up with to honor our maternal grandparents.

We are all born and raised differently, with circumstances, some better than others.  If I could travel through time back to when I was that young boy and protect him, would I?  I probably would.  But who would I be today?  We are all products of our life experience and how we decide to interpret it, are we not?  I am happy with the SPA of today and wonder if without being confronted with the decision of living or dying, without being pushed to that point, would I have created the changes needed to be the same today?  I don’t know.

What is the point of telling people all this?  Originally, a lot of the power that abuse has is because it is kept a secret, that the kids feel that it is their fault or feel guilty or embarrassed.  None of those things are real.  I did nothing, I was a kid, an innocent. Keeping the secret only protects the abuser.  Telling it removes the power, telling it kills the secret.

Girl With The Most Cake

Anyone who lived in Seattle in the early 90′s has various Grunge Celebrity stories.  We all have stories of house parties where this or that band performed or running into someone at the grocery store.  I used to take a yoga class with several grunge starter-wives and later, with one-third of Nirvana.  They were our neighbors, friends and coworkers.

The only story that I ever think about every once in a while is seeing Frances Bean Cobain at the playground at Volunteer Park with her nannies.  She must have been two or three, running, jumping, swinging, and laughing.  Her mother was there and probably should have grabbed more of my focus, but it was the little girl with the crystal blue eyes, Kurt’s eyes, that fascinated me.

That little girl is now the amazingly beautiful young woman in the photograph above.  More photos are found here by photographer Hedi Silmane.

 

 

Frances Farmer Will Have Her Revenge On Seattle

The whole point of this blog is to share and celebrate inspirations.  I have had this quote floating around in my head for several years that I think sums it up accurately:

Some of the most

extraordinary

lives are lived by

the most

ordinary

of men.

I have wanted it tattoo’d on my forearm, but have been talked out of it.

I have an ever-growing list of people from which I find inspiration, I keep the list on my phone and add to it as discover new people.  The only requirements I have for the list is that I have to think they are amazing and they have to be dead.

Last week was Frances Farmer‘s Birthday, She would have been 98 if she had not dies 40+ years ago. Since her death in 1970, however, she has become a cult figure for the disenfranchized, the subject of books, movies, plays, magazine articles, and a song, “Frances Farmer Will Have Her Revenge On Seattle,” by Kurt Cobain, which includes this line: “She’ll come back as fire, to burn all the liars, and leave a blanket of ash on the ground.”

Truth and fiction have blended into the Frances Farmer story: An idealistic young actress challenges the hypocrisy of her world and becomes the victim of a spiteful mother, a vengeful Hollywood, and a cabal of callous and arrogant psychiatrists. Together they force her into a state mental hospital, where she is brutalized by electric shock and other barbaric treatments; raped by orderlies, fellow inmates, and soldiers from a nearby Army base; and eventually lobotomized. Her rebellious spirit finally shattered, she leaves the institution only a shadow of the vibrant artist she had once been.

Whatever the true story, it has been eclipsed by the mythology. With the medical records closed and all the principal players long dead, little can be said with certainty about what really happened to Frances Farmer. Still, two things seem clear: the behavior that landed her in an insane asylum half a century ago would scarcely raise an eyebrow today; and yet, had she not been institutionalized, she might well have been long forgotten. Instead, decades after her death, the self-described “Bad Girl of West Seattle High” has taken on a larger-than-life role as the star of a cautionary fable.

She may have not had her revenge on Seattle as Kurt wrote, but she has left her mark all over it for me.  She was an usher at the Paramount Theater while she was in college and she worked at the Olympic Hotel in the laundry room after her release from the mental hospital.  Bookends:  two places that proved to be landmarks for the beginning, middle, and end of her career.  They are both within blocks of my home, I see them daily.

She was considered a radical free-thinker for her time, an outcast, and a danger.  She left Seattle on a bus being called a communist by her mother in the Seattle Post-Intelligencer, “The Soviet dagger has struck deep in the heart of America.”  One and a half years later, an outcast on a bus, Frances Farmer came back a star, flown in by the studio for the world premier of Come and Get It. She was greeted with roses and flash bulbs at the airport. Crowds lined the streets to see her as she was driven through the business district in a limousine. She posed for pictures with her parents, with drama students at the University of Washington, and at the Paramount Theater, where she once worked. During a lavish reception at the Olympic Hotel, Washington Governor Clarence Martin led a list of dignitaries who came to pay tribute to “the Cinderella girl.”

By 1942, she was drinking heavily and becoming increasingly dependent on amphetamines. A woman who worried constantly about her weight, Farmer began using amphetamines soon after she arrived in Hollywood. At the time, the drug was widely available and often recommended by doctors as an appetite suppressant. Not until the 1970s was it discovered that amphetamines are highly addictive, have unpredictable side effects, and — taken in sufficient quantities — can produce symptoms similar to those of schizophrenia.

Whether she was mentally ill or simply suffering the effects of alcohol and drug abuse may never be known. In any case, her downward spiral accelerated on October 19, 1942, when a policeman in Santa Monica stopped her for driving with her bright headlights on in a wartime “dim-out” zone. She got into an altercation with the officer (reportedly telling him “You bore me”), and was arrested on charges of drunken driving, driving without a license, and failure to obey war-time headlight dim-out restrictions. She was fined $250 and sentenced to 180 days in jail, suspended.

She spent the next seven years in and out of mental institutions, receiving various treatments that were considered cutting edge at the time and now considered impossible to fathom.  After her release, she bought a one-way ticket to Eureka, California because it was as far from Seattle as her money would take her.  She worked a secretary under the name Frances Anderson for years until a chance meeting with a TV producer and he arranged for her to be “rediscovered.” The publicity led to television appearances, stage and movie roles, and her own TV show that ran for six year in Indianapolis.

She died on the first of August, 1970, six weeks before her 57th birthday.