Happy Birthday Doris Duke

Today is Doris Duke’s 102nd birthday.  She was in the newspapers from the day she was born, her every move chronicled and scrutinized.  Her art collection, the house she built in Hawaii, her love life, she did everything large. If Susan Sarandon and Lauren Bacall star in movies about your life, you are doing something right.  The world is a better place because she was in it and still feels the loss that she has left.

NAME: Doris Duke
OCCUPATION: Art Collector, Philanthropist
BIRTH DATE: November 22, 1912
DEATH DATE: October 28, 1993
PLACE OF BIRTH: New York, New York
PLACE OF DEATH: Los Angeles, California

BEST KNOWN FOR: Tobacco heiress Doris Duke was the only child of American tobacco baron, James Duke. When she was born, the press called her the “million dollar baby.”

Doris Duke (November 22, 1912 – October 28, 1993) was an American heiress, horticulturalist, art collector, and philanthropist.

Duke was the only child of tobacco and electric energy tycoon James Buchanan Duke and his second wife, Nanaline Holt Inman, widow of Dr. William Patterson Inman. At his death in 1925, the elder Duke’s will bequeathed the majority of his estate to his wife and daughter,[3] along with $17,000,000, in two separate clauses of the will, to The Duke Endowment he had created in 1924. The total value of the estate was not disclosed, but was estimated variously at $60,000,000 and $100,000,000.

Duke spent her early childhood at Duke Farms, her father’s 3,000-acre (12 km2) estate in Hillsborough Township, New Jersey. Due to ambiguity in James Duke’s will, a lawsuit was filed to prevent auctions and outright sales of real estate he had owned; in effect, Doris Duke successfully sued her mother and other executors to prevent the sales. One of the pieces of real estate in question was a Manhattan mansion at 1 East 78th Street which later became the home of the Institute of Fine Arts at New York University.

She was presented to society as a debutante in 1930, aged 18, at a ball at Rough Point, the family residence in Newport, Rhode Island. She received large bequests from her father’s will when she turned 21, 25, and 30; she was sometimes referred to as the “world’s richest girl”. Her mother died in 1962, leaving her jewelry and a coat.

 

 

 

 

Carolyn Bridger Anderson

On Tuesday, my aunt Carolyn died.  She always had so much to do and say, always completing projects.  Her professional and artistic friends reach around the world.  She was one of the most intelligent people I have ever met.  The world is a better place because she was in it and is feeling the loss now that she has left.

Pianist Carolyn Bridger, who was the principal keyboardist with the Tallahassee Symphony Orchestra and a former faculty member at the Florida State College of Music, died in an auto accident near Traverse City, Mich., on Tuesday morning. She was 71.

“Carolyn was beloved by her colleagues and many, many students,” TSO executive director Amanda Stringer said in an email. “A fantastic pianist, she played in the TSO over 30 years and performed throughout the country in many different capacities. We extend our deepest sympathies to her family and all others who loved and knew her.”

Bridger, who created the collaborative piano (or accompanying) program at FSU, was a founding member of the TSO in the early ’80s with conductor Nicholas Harsanyi.

“As a player, she was solid as a rock,” Stringer said. “We will miss her presence on stage.”

The Traverse City Record-Eagle is reporting Bridger was in Michigan, where she owns a home in Interlochen, to attend a funeral. She and other family members were returning from the airport in Traverse City when a Brimley, Mich., man crossed the central median and struck their car around 1:30 a.m. Tuesday.

Bridger was pronounced dead on the scene. The driver and two other passengers in Bridger’s car were taken to a local hospital with non-life-threatening injuries.

The Record-Eagle is reporting the man who caused the wreck was arrested on charges of “driving while license suspended causing death” and two other license-related charges. A Traverse City Sheriff’s Office deputy said that all drivers and passengers were wearing their seat belts at the time of impact. Deputies are still investigating the exact cause of the fatal crash on the icy roadway.

The sudden death was a major loss for Tallahassee‘s classical-music community. It left friends and colleagues reeling.

“She was tireless, she never ran out of energy,” said violinist Karen Clarke, a former concert master for the TSO and a professor emerita from the FSU College of Music. “She contributed so much to Tallahassee.”

In the early ’90s, Bridger played a supporting role in founding The Artist Series along with her husband, Waldie Anderson, who died in 2011. The Artist Series made its debut in 1995 with performances by the Eroica Trio and Rockapella.

In 1994, Anderson and Bridger rallied a group of non-professional musicians to form the Big Bend Community Orchestra.

“She was such an inspiration to so many students and she and Waldie were indefatigable music ambassadors,” former TSO executive director Lois Griffin said in an email.

The upbeat, quick-to-smile Bridger was as busy as ever this fall on stages around Tallahassee. In October, she performed as the accompanist with cello player Evgeni Raychev at a recital hall at FSU and, in September, she was featured in the Tallahassee Ballet’s annual “An Evening of Music and Dance” in Opperman Music Hall.

She was booked to accompany on piano for the Tallahassee Music Guild’s annual “Sing-Along Messiah” concert on Dec. 2 at Faith Presbyterian Church. Her Florida State College of Music colleague, pianist Timothy Hoekman, has been tapped as her replacement.

“Carolyn’s musical fingerprint is on almost everything in Tallahassee,” Florida State Opera conductor Douglas Fisher said in an email. “She played countless performances of recitals, chamber music, symphony engagements, public service events and more.”

When it came to range, the versatile Bridger could play everything from Baroque chamber music to cutting-edge material at the Festival of New Music. Her focus was as an accompanist, which meant she could fit in with nearly any kind of music or performer.

“How many famous accompanists are there out there?” former Florida State College of Music associate dean and oboist George Riordan said. “By nature, she was always in the background and making things happen. She ran the accompanying program (at FSU) and taught students how to play with singers, soloists, any type of musician. Her absolute devotion to her students was endless, not only when they students but also after they went out into the world.”

Bridger joined the FSU faculty in 1976 and retired in 2010. During her tenure, she became the resident director of the FSU Study-Abroad Summer Program in Ho Chi Minh City, Vietnam. Bridger played concerts all around the world, ranging from Malaysia to the Dalmatian Islands to Carnegie Hall in Manhattan.

A graduate of Oberlin College & Conservatory, Indiana University and the University of Iowa, Bridger also studied at the Mozarteum Akademie in Salzburg, Austria. She won the the prestigious Schubert Prize for Accompanying in Austria. The pianist also had close ties with Interlochen Arts Camp, which is located just a few miles south of Traverse City.

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Patricia Lu Mallet Anderson Banghart

My aunt Pat died on Sunday.  She was very kind to me my first summer at Interlochen Arts Camp.  She worked in the Academic Library and I spent a lot of time in the library reading back issues of art magazines and Aldous Huxley novels.  I really appreciated a friendly face, I felt so alone that summer.  The world is a better place because she was in it and will feel the loss now that she has left.

Partricia Lu Banghart, 82, of Interlochen passed away November 16, 2014 at the Grand Traverse Pavilions.

Patty was born on November 14, 1932 in North Muskegon to the late Henry and Frances (Reed) Mallett.

In 1980, Patty married Edward Philip Banghart at All Saints Lutheran Church in Traverse City. Ed preceded Patty in death in 2013.

Patty earned her bachelor’s and master’s degree in music education from the University of Michigan. Her career brought her to Interlochen where she taught for Traverse City Public Schools and was a member of the Michigan Music Teachers Association. Patty enjoyed teaching students how to play the piano. Patty also spent decades on staff at Interlochen Center for the Arts. She was a member of Bethlehem Lutheran Church where she was active in the choir. Patty also enjoyed nature and loved to be outdoors.

Patty is survived by her son Reed (Diana) Anderson of Sylvania, OH, son Paul (Cheryl) Anderson of Los Alamos, NM, step-daughter Dawn Banghart of Woodside, CA, step-son Thomas Banghart of West Hollywood, CA, and grandsons Max and Ian Anderson of Sylvania, OH.

Patty was preceded in death by her son Erik Alfred Anderson.

A memorial service celebrating Patty’s life will be held at a later date.

Memorial contributions in memory of Patty may be directed to Interlochen Center for the Arts (P.O. Box 199, Interlochen, MI 49643) or to the Grand Traverse Pavilions (Elm: 1000 Pavilions Circle, Traverse City, MI 49684).

Happy Birthday Sister Mary Corita Kent

Today is the 96th birthday Sister Mary Corita Kent.  Google Doodle is celebrating her birthday today.  You should too.  The world is a better place because she was in it and still feels the loss that she has left.

Name:  Frances Elisabeth Kent
Occupation:  Nun, Artist, Educator
Birth Date: November 20,1918
Death Date:  September 18, 1986
Education:  Columbia University
Place of BirthFort Dodge, Iowa
Also Known As:  Sister Mary Corita Kent

BEST KNOWN FOR:  Sister Mary Corita Kent was an American nun, an artist and an educator who worked in Los Angeles and Boston.

Corita Kent, also known as Sister Corita, gained international fame for her vibrant serigraphs during the 1960s and 1970s. A Sister of the Immaculate Heart of Mary, she ran the Art Department at Immaculate Heart College until 1968 when she left the Order and moved to Boston. Corita’s art reflects her spirituality, her commitment to social justice, her hope for peace, and her delight in the world that takes place all around us.

Corita was born Frances Kent in 1918 in Fort Dodge, Iowa. She grew up in Los Angeles and joined the Order of the Immaculate Heart of Mary in 1936, taking the name Sister Mary Corita.

She graduated from Immaculate Heart College in 1941 and then taught grade school in British Columbia. In 1946 she returned to Immaculate Heart College to teach art. In 1951, she received a master’s degree in art history from the University of Southern California; it is also the year she exhibited her first silkscreen print. Corita’s earliest works were largely iconographic; known as “neo-gothic” they borrowed phrases and depicted images from the Bible.

By the 1960s, she was using popular culture (such as song lyrics and advertising slogans) as raw material for her meaning-filled bursts of text and color. Corita’s cries for peace in the era of Vietnam were not always welcome. In 1965 her “Peace on Earth” Christmas exhibit in IBM’s New York show room was seen as too subversive and Corita had to amend it. However, her work continued to be an outlet for her activism—in Corita’s words:
“I am not brave enough to not pay my income tax and risk going to jail. But I can say rather freely what I want to say with my art.”

By then Corita was the chairman of the famous Immaculate Heart College Art Department. Buckminster Fuller described his visit to the department as “among the most fundamentally inspiring experiences of my life.” Other influential friends of hers included Charles Eames , Ben Shahn, Harvey Cox and the Berrigan brothers.

August was Corita’s time for her own art making. During the three weeks between semesters, she and her students would work round the clock printing new serigraph designs by the hundreds. Corita’s chronic insomnia no doubt made some of this possible, but it was often accompanied by a bleak depression. In 1968 Corita decided to devote herself entirely to making art. She left the Order and Los Angeles, and moved to Boston’s Back Bay. She made numerous commissioned works (Westinghouse Group W ads, book covers and murals) and continued to create her own serigraphs (over 400) in the next 18 years. Still using exuberant splashes of color, the tone of her work became more generally spiritual and introspective. Watercolor “plein air” paintings and great floral silk screens dominated her later works.Corita remained active in social causes and designed posters and billboards for Share, the International Walk for Hunger, Physicians for Social Responsibility and Amnesty International.

The Boston Gas tank on the Southeast Expressway still bears her famous 150-foot rainbow swash, which is a similar to her design for the 1985 Love Stamp. On Sept. 18, 1986 Corita finally lost her battle with cancer and died at a friend’s home.

Happy Birthday Rock Hudson

Today is the 98th birthday of the legendary screen heartthrob Rock Hudson.  I once read a recount of how he got his gravely voice.  He was told by movie executives to go up into the mountains and scream until he lost his voice, this damaged his vocal cords in a way that left him with the very low voice he had for his entire career.  I am not sure if it is true, but it is crazy to think that someone would tell a person to do that.  With his legendary good looks and impressive resume of film credits behind him, he publicly announced he had AIDS to the world and took it from being a fringe disease that no one personally knew who had it to being on the cover of People Magazine.  The bravery at the end of his life is an example of true strength of character.  He propelled the image of AIDS mainstream, we all now knew someone with it, it became immediately personal for all of us.  The world is a better place because he was in it and still feels the loss that he has left.

NAME: Rock Hudson
OCCUPATION: Film Actor
BIRTH DATE: November 17, 1925
DEATH DATE: October 02, 1985
PLACE OF BIRTH: Winnetka, Illinois
PLACE OF DEATH: Beverly Hills, California
ORIGINALLY: Roy Harold Scherer, Jr.
AKA: Roy Harold Fitzgerald

BEST KNOWN FOR: Rock Hudson was a leading man of the Hollywood screen in the 1950s and 1960s. His death from AIDS in 1985 greatly increased awareness of the disease.

The Wiki:

Roy Harold Scherer, Jr., later Roy Harold Fitzgerald (November 17, 1925 – October 2, 1985), known professionally as Rock Hudson, was an American film and television actor, most recognized as a romantic leading man during the 1950s and 1960s, most notably in Magnificent Obsession (1954), Giant (1956) and several popular comedies with Doris Day. Later roles included the leads in Ice Station Zebra and the popular televison series McMillan & Wife along with a role in the hugely successful series Dynasty.

Hudson was voted “Star of the Year”, “Favorite Leading Man”, and similar titles by numerous movie magazines. The 6 ft 5 in (1.96 m) tall actor was one of the most popular and well-known movie stars of the time. He completed nearly 70 motion pictures and starred in several television productions during a career that spanned over four decades.

Hudson died in 1985, being the first major celebrity to die from an AIDS-related illness.

Following his death, Elizabeth Taylor, his co-star in the film Giant, purchased a bronze plaque for Hudson on the West Hollywood Memorial Walk.

 

Why He’s a Style Icon

Millions of men would kill for the ability to make women swoon the way Roy Harold Scherer Jr. did on-screen. This actor had the kind of charisma that couldn’t be manufactured. When he changed his name to Rock Hudson, he broke box-office records with his films and TV appearances. But as a child, the actor was never cast for any of the productions that he auditioned for, and he had trouble memorizing his lines. Superstardom didn’t happen overnight. He sent his photos to tons of production companies until he began getting small roles, which led to larger ones. In 1956, he starred in Giant with fellow style icons James Dean and Elizabeth Taylor. His performance got him an Academy Award nod for best actor.

Hudson epitomized classic American style making simple choices with embellished impressions. On-screen, he wooed woman with his manly good looks and suave style. He pre-dated the word “swag” but would have done it justice. The height of Hudson’s career spanned two decades, both of which were probably the most important to menswear. The ’50s and ’60s brought rebels and statement looks, but menswear still catered to the classics. Hudson was no different.

The best thing about Hudson was his effortless style. He used very little in order to create a look — his presence on- and off-screen was the wow factor. Menswear wasn’t complicated or overly thought out. This is what the ’50s and ’60s were about. Consumers and designers both believed in grooming, so clean looks were always in order. This actor knew how to take something as simple as a white linen shirt and pair it with light-blue slacks, an early version of what would probably be referred to as espadrilles, and a basic leather belt to create the perfect everyday outfit. If he looked like he didn’t try that hard, it’s probably because he didn’t.

Dress the Rock Hudson Way

Rock Hudson’s style wasn’t complicated. From his choices, it’s evident that the actor believed in keeping everything simple and to the point. His perspective was classic and minimalist. That didn’t necessarily mean all white and no patterns, but the actor let embellishments accent his look without overpowering his perspective. When shopping or browsing through your closet, look for basic pieces that can be dressed up and down — nothing too over-the-top. Ermenegildo Zegna’s cotton-stretch pants are great for a simplistic, chic look. These pants (available in white at Bergdorf Goodman) give you that extra room for breathing and the stretch element can conform to the body, making them slim or baggy depending on how they are worn. Grooming should be clean and trimmed. Hudson’s style was more dapper than rugged.

Happy Birthday Marie Dressler

This week is the 146th birthday of Marie Dressler, an amazing character actress.  She is one of those actors that play the mother or the wealthy aunt or the uptight grandmother that is really there to create conflict and contrast between the leading roles, but I end up watching her.  Later in her film career, they would give her these lines, little throw away quips that were so hilarious and I hope she really loved being able to sneak in zingers while the rest of the characters were too caught up in love and so forth to notice.  The world is a better place because she was in it and still feels the loss since she has left.

NAME: Marie Dressler
OCCUPATION: Film Actress, Theater Actress, Comedian
BIRTHDATE: November 09, 1868
DEATH DATE: July 28, 1934
PLACE OF BIRTH: Cobourg, Canada
PLACE OF DEATH: Santa Barbara, California
Originally: Leila Marie Koerber

Best Known For:  Marie Dressler is best known for her acting in the theater and film, winning an Oscar.

Dressler had appeared in two shorts as herself, but her first role in a feature film came in 1914, at the age of 44.  After Mack Sennett became the owner of his namesake motion picture studio, he convinced Dressler to star in his 1914 silent film Tillie’s Punctured Romance. The film was to be the first full-length, six-reel motion picture comedy.  According to Sennett, a prospective budget of $200,000 meant that he needed “a star whose name and face meant something to every possible theatre-goer in the United States and the British Empire.”  The movie was based on Dressler’s hit Tillie’s Nightmare, a choice credited either to Dressler or to a Keystone studio employee.  Dressler herself claims to have cast Charles Chaplin in the movie as her leading man, and was “proud to have had a part in giving him his first big chance.”  Instead of his recently invented Tramp character, Chaplin played a villainous rogue. Silent film comedienne Mabel Normand also starred in the movie. Tillie’s Punctured Romance was a hit with audiences and Dressler appeared in two Tillie sequels and other comedies until 1918, when she returned to vaudeville.

In 1919, during the Actors’ Equity strike in New York City, the Chorus Equity Association was formed and voted Dressler its first president. Dressler was blacklisted by the theater production companies due to her strong stance. Dressler found it difficult to find work during the 1920s. She left New York for Hollywood in search of work in films.

In 1927, Frances Marion, an MGM screenwriter, came to Dressler’s rescue. Dressler had shown great kindness to Marion during the filming of Tillie Wakes Up in 1917, and in return, Marion used her influence with MGM’s production chief Irving Thalberg to return Dressler to the screen.  Her first MGM feature was The Callahans and the Murphys (1927), a rowdy silent comedy co-starring Dressler (as Ma Callahan) with another former Mack Sennett comedienne, Polly Moran, written by Marion.

The film was initially a success, but the portrayal of Irish characters caused a protest in the Irish World newspaper, protests by the American Irish Vigilance Committee, and pickets outside the film’s New York theatre. The film was first cut by MGM in an attempt to appease the Irish community, then eventually pulled from release after Cardinal Dougherty of the diocese of Philadelphia called MGM president Nicholas Schenck.  It was not shown again, and the negative and prints may have been destroyed. While the film brought her to Hollywood, it did not establish Dressler’s career. Her next appearance was a minor part in the First National film Breakfast at Sunrise. She appeared again with Moran in Bringing Up Father, another film written by Marion, and also appeared in an early color film, The Joy Girl. Dressler returned to MGM in 1928′s The Patsy in a winning portrayal, playing the fluttery mother to star Marion Davies and Jane Winton.

Hollywood was converting from silent films, but “talkies” presented no problems for Dressler, whose rumbling voice could handle both sympathetic scenes and snappy comebacks (she’s the wisecracking stage actress in Chasing Rainbows and the dubious matron in Rudy Vallee’s Vagabond Lover). Early in 1930, Dressler joined Edward Everett Horton’s theater troupe in L.A. to play a princess in Ferenc Molnár’s The Swan. But after one week, she quit the troupe. She proceeded to leave Horton flat, much to his indignation.

Frances Marion persuaded Thalberg to give Dressler the role of Marthy, the old harridan who welcomes Greta Garbo home after the search for her father, in the 1930 film Anna Christie. Garbo and the critics were impressed by Dressler’s acting ability, and so was MGM, which quickly signed her to a $500-per-week contract.

A robust, full-bodied woman of very plain features, Dressler went on to act in comic films which were very popular with the movie-going public and an equally lucrative investment for MGM. Although past sixty years of age, she quickly became Hollywood’s number one box-office attraction, and stayed on top until her death at age 65. In addition to her comedic genius and her natural elegance, Dressler demonstrated her considerable talents by taking on serious roles. For her starring portrayal in Min and Bill, with Wallace Beery, she won the 1930–31 Academy Award for Best Actress (the eligibility years were staggered at that time). Dressler was nominated again for Best Actress for her 1932 starring role in Emma. With that film, Dressler demonstrated her profound generosity to other performers. Dressler personally insisted that her studio bosses cast a friend of hers, a largely unknown young actor named Richard Cromwell, in the lead opposite her. This break helped launch his career.

Dressler followed these successes with more hits in 1933, including the comedy Dinner at Eight, in which she played an aging but vivacious former stage actress. Dressler had a memorable bit with Jean Harlow in the film:

Harlow: Do you know that the guy said that machinery is going to take the place of every profession?
Dressler: Oh my dear, that’s something you need never worry about.

Following the release of that film, Dressler appeared on the cover of Time magazine, in its August 7, 1933, issue. MGM held a huge birthday party for Dressler in 1933, broadcast live via radio. Her newly regenerated career came to an abrupt end when she was diagnosed with terminal cancer in 1934. MGM head Louis B. Mayer learned of Dressler’s illness from her doctor and asked that she not be told. To keep her home, he ordered her not to travel on her vacation because he wanted to put her in a new film. Dressler was furious but complied.

Dressler appeared in more than forty films, and achieved her greatest successes in talking pictures made during the last years of her life. Always seeing herself as physically unattractive, she wrote an autobiography titled The Life Story of an Ugly Duckling.

On Saturday July 28, 1934, Dressler died of cancer at the age of 65 in Santa Barbara, California. After a private funeral held at The Wee Kirk o’ the Heather chapel, Dressler was interred in a crypt in the Great Mausoleum in the Forest Lawn Memorial Park, Glendale in Glendale, California.

Dressler left an estate worth $310,000, the bulk left to her sister Bonita.  Dressler left her 1931 automobile and $35,000 in her will to her maid of twenty years, Mamie Cox, and $15,000 to Cox’s husband Jerry, who had served as Dressler’s butler for four years.  The two used the funds to open the Cocoanut Grove night club in Savannah, Georgia in 1936, named after the night club in Los Angeles.

Dressler’s birth home in Cobourg, Ontario is known as the “Marie Dressler House” and is open to the public. The home was converted to a restaurant in 1937 and operated as a restaurant until 1989, when it was damaged by fire. It was restored but did not open again as a restaurant. It was the office of the Cobourg Chamber of Commerce until its conversion to its current use as a museum about Dressler and as a visitor information office for Cobourg. Each year, the Marie Dressler Foundation Vintage Film Festival is held, with screenings in Cobourg and in Port Hope, Ontario.

For her contribution to the motion picture industry, Marie Dressler has a star on the Hollywood Walk of Fame at 1731 Vine Street, added in 1960.

Canada Post, as part of its “Canada in Hollywood” series, issued a postage stamp on June 30, 2008 to honour Marie Dressler.

The Story of Scraps

 

Scraps came to us with the name of Skyler, but I had already changed his name to Scraps before I had even met him.  I found him on the a local rescue website portion of petfinder.com.

From the paperwork I was provided, here is The Story of Scraps. (I have decided that before he got into ‘the system’, he lived under a bush and ate garbage.  I obviously have no way of knowing, but it makes for a great back story)

A471308 2 yrs old Female gray and black Terrier mix was adopted out of the San Bernadino, California Animal Control on August 23rd, 2014.  (I am sure they do great work down there and records get mixed up, but Scraps is a boy).  He was microchipped and given a few vaccines.  I have the name and address of the woman that rescued him from there, she will be getting a photo holiday card thank you note from Scraps.

On the 25th of August, Scraps (still named A471308) was neutered.  Luckily, in those two days, they figured out he was a boy dog and did not attempt to spay him.  On that same day, his rabies tag was issued, they listed him weighing 7.4 lbs and his birthday being exactly 2 years prior.  There is another woman’s name and address as the registered owner.  She will be getting a photo holiday card thank you note from Scraps.

Rounding out Scraps’ holiday card thank you list is the Collar of Hope business address.  I wish I knew more of his story and I will decide on his birthday when the his vet estimates his age.  I will count back from November 1st, the day he arrived at our house.

I posted a photo every day of the first week Scraps was with us on Instagram, Twitter, Facebook and Tumblr to chronicle the progression of his acclimation to his new life, to document Scraps becoming Scraps.  (He has gotten more ‘likes’ than any post I have every written or even any painting Rick has painted.)  It happened a lot quicker and was a lot smoother than I had anticipated.  He was shy and skittish about everything, but now runs around the house and plays with toys, sleeps soundly and even spends time entertaining himself chewing on bones or just staring out the window.  He must know he can relax.

If you are thinking about getting a dog, seriously consider rescuing one from a foster home or shelter.  The people involved are not in it for the money, the sincerely believe that every dog deserves a wagging tail.  The dogs are very grateful, gentle animals that will enrich your lives far more than you can imagine.  If you are still not sure, you can meet Scraps.

Here is a photo of his car ride home one week ago:

IMG_0895

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