Veronica Lake – Style Icon

Born: November 14, 1922 Brooklyn, New York, U.S.
Died: July 7, 1973 (aged 50) Burlington, Vermont, U.S.
Cause of death: hepatitis and acute renal failure
Other names: Constance Keane, Connie Keane
Occupation: Actress

Veronica Lake (November 14, 1922 – July 7, 1973) was an American film actress and pin-up model. She received both popular and critical acclaim, most notably for her role in Sullivan’s Travels and for her femme fatale roles in film noir with Alan Ladd during the 1940s. She was well-known for her peek-a-boo hairstyle. Lake had a string of broken marriages and, after her career declined, had long struggles with mental illness and alcoholism.

Lake was born Constance Frances Marie Ockelman in Brooklyn, New York. Her father, Harry E. Ockelman, of Danish-Irish descent,[3] worked for an oil company aboard a ship. Her father died in an industrial explosion in Philadelphia in 1932 when she was ten. Her mother, née Constance Charlotta Trimble (1902–1992), (listed as “Veronica F.” on the 1920 census), married family friend Anthony Keane, a newspaper staff artist, a year later, and Lake began using his last name.

Lake was sent to Villa Maria, an all-girls Catholic boarding school in Montreal, Canada, from which she was expelled. The Keane family later moved to Miami, Florida. Lake attended Miami Senior High School in Miami, where she was known for her beauty. She had a troubled childhood and was diagnosed as schizophrenic, according to her mother.

In 1938 Lake moved with her mother and stepfather to Beverly Hills, where her mother enrolled her in the Bliss-Hayden School of Acting. Her first appearance on screen was for RKO, playing a small role among several coeds in the 1939 film, Sorority House. Similar roles followed, including All Women Have Secrets and Dancing Co-Ed. During the making of Sorority House director John Farrow first noticed how her hair always covered her right eye, creating an air of mystery about her and enhancing her natural beauty. She was then introduced, while still a teenager, to the Paramount producer Arthur Hornblow, Jr. He changed her name to Veronica Lake because the surname suited her blue eyes.

RKO subsequently dropped her contract. She married art director John S. Detlie, 14 years her senior, in 1940. A small role in the comedy, Forty Little Mothers, brought unexpected attention. In 1941 she was signed to a long-term contract with Paramount Pictures. On August 21, 1941, she gave birth to her first child, Elaine Detlie.

Her breakthrough film was I Wanted Wings in 1941, a major hit in which Lake played the second female lead and was said to have stolen scene after scene from the rest of the cast. This success was followed by Hold Back the Dawn later that year. She had starring roles in more popular movies, including Sullivan’s Travels, This Gun for Hire, I Married a Witch, The Glass Key, and So Proudly We Hail!. René Clair, the director of I Married a Witch, said of Lake “She was a very gifted girl, but she didn’t believe she was gifted.”

For a short time during the early 1940s Lake was considered one of the most reliable box office draws in Hollywood. She became known for onscreen pairings with actor Alan Ladd. At first, the couple was teamed together merely out of physical necessity: Ladd was just 5 feet 5 inches (1.65 m) tall and the only actress then on the Paramount lot short enough to pair with him was Lake, who stood just 4 feet 1112 inches (1.511 m). They made four films together.

A stray lock of her shoulder-length, blonde hair during a publicity photo shoot led to her iconic “peekaboo” hairstyle, which was widely imitated. During World War II, Lake changed her trademark image to encourage women working in war industry factories to adopt more practical, safer hairstyles, although doing so may have damaged her career.

Although popular with the public, Lake had a complex personality and acquired a reputation for being difficult to work with. Eddie Bracken, her co-star in Star Spangled Rhythm, was quoted as saying, “She was known as ‘The Bitch’ and she deserved the title.”[10] In that movie, Lake took part in a song lampooning her hair style, “A Sweater, A Sarong and a Peekaboo Bang”, performed with Paulette Goddard and Dorothy Lamour.[11] Joel McCrea, her co-star in Sullivan’s Travels, reputedly turned down the co-starring role in I Married a Witch, saying, “Life’s too short for two films with Veronica Lake.”

Lake’s career stumbled with her unsympathetic role as Nazi spy Dora Bruckman in 1944′s The Hour Before the Dawn. During filming, she tripped on a lighting cable while pregnant and began hemorrhaging. She recovered, but her second child, William, was born prematurely on July 8, 1943, dying a week later from uremic poisoning.  By the end of 1943 her first marriage ended in divorce. Meanwhile, scathing reviews of The Hour Before Dawn included criticism of her unconvincing German accent.

Nonetheless, Lake was earning $4,500 per week under her contract with Paramount. She had begun drinking more heavily during this period and people began refusing to work with her.[citation needed] Paramount cast Lake in a string of mostly forgotten films. A notable exception was The Blue Dahlia (1946), in which she again co-starred with Ladd. During filming, screenplay writer Raymond Chandler referred to her as “Moronica Lake”.[14] Paramount decided not to renew her contract in 1948.

Looking back at her career years later, Lake remarked, “I never did cheesecake; I just used my hair.”

She married film director Andre De Toth in 1944 and had a son, Andre Anthony Michael De Toth, known as Michael De Toth (October 25, 1945 – February 24, 1991), and a daughter, Diana De Toth (born October 16, 1948). Lake was sued by her mother for support payments in 1948.

Lake earned her pilot’s license in 1946 and was able to fly solo between Los Angeles and New York.

Lake died on July 7, 1973, of hepatitis and acute renal failure (complications of her alcoholism) in Burlington, Vermont, where her death was certified by Dr. Wareen Beeken at the Fletcher Allen Hospital, and where she was seen by many staff members during her nearly two-week stay. A rumor persists that she died in Montreal and was smuggled across the border to Vermont. Vermont state death records, however, confirm that she died in Burlington, Vermont.

As she requested, her ashes were scattered off the coast of the Virgin Islands. A memorial service was held in Manhattan, but only her son and a handful of strangers attended. In 2004 some of Lake’s ashes were reportedly found in a New York antique store. Her son, Michael, died on February 24, 1991, at age 45 in Olympia, Washington.

Lake has a star on the Hollywood Walk of Fame at 6918 Hollywood Boulevard for her contributions to the motion picture industry. She remains a legendary star today and her autographs and other memorabilia continue to draw high prices on eBay and other popular outlets.

Edith Head – Style Icon

If you are a fan of classic movies and pay attention to scenery and costuming, you already know Edith Head. She had THE influence on American style before clothing designers were known. A quick search for her on IMDB will soon have you realizing that her touch was added to most of the films that you know and love. Ladies and gentlemen, Edith Head. Style Icon

NAME: Edith Head
OCCUPATION: Fashion Designer
BIRTH DATE: October 28, 1897
DEATH DATE: October 24, 1981
PLACE OF BIRTH: San Bernardino, California
PLACE OF DEATH: Hollywood, California

BEST KNOWN FOR: Edith Head was one of the most prolific costume designers in 20th century film, winning a record eight Academy Awards.

Edith Head (born October 28, 1897) became chief designer at Paramount Pictures in 1933 and later worked at Universal. Hollywood’s best-known designer, her costumes ranged from the elegantly simple to the elaborately flamboyant. She won a record eight Academy Awards for her work in films such as All About Eve (1950), Roman Holiday (1953), and The Sting (1973).

She became chief designer at Paramount Pictures in 1933 and later worked at Universal. Hollywood’s best-known designer, she was noted for the wide range of her costumes, from the elegantly simple to the elaborately flamboyant. She won a record eight Academy Awards for her work in films such as All About Eve (1950), Roman Holiday (1953), and The Sting (1973).

As part of a series of stamps issued by the U.S. Postal Service in February 2003, commemorating the behind-the-camera personnel who make movies, Head was featured on one to honor costume design.

The band They Might Be Giants recorded the song “She Thinks She’s Edith Head,” which was included in the 1999 album Long Tall Weekend and the 2001 album Mink Car. The song is about a girl from the singer’s past, who had changed her persona to be more sophisticated, and compares her new attitude to Head and longtime Cosmopolitan editor-in-chief Helen Gurley Brown.

To many viewers of the 2004 Pixar/Disney computer-animated film The Incredibles, the personality and mannerisms of the film’s fictional superhero costume designer Edna Mode suggest a colorful caricature of Edith Head. Edna Mode’s sense of style, round glasses, and assertive no-nonsense character are very likely a direct homage to Head’s legendary accomplishments and personal traits. But the film’s director, Brad Bird, has not yet confirmed or denied this.

Personal Quotes:

“Your dresses should be tight enough to show you’re a woman and loose enough to show you’re a lady.” – Edith Head

“You can have whatever you want if you dress for it.” ― Edith Head

Veronica Lake – Style Icon

Born: November 14, 1922 Brooklyn, New York, U.S.
Died: July 7, 1973 (aged 50) Burlington, Vermont, U.S.
Cause of death: hepatitis and acute renal failure
Other names:  Constance Keane, Connie Keane
Occupation:   Actress

Veronica Lake (November 14, 1922 – July 7, 1973) was an American film actress and pin-up model. She received both popular and critical acclaim, most notably for her role in Sullivan’s Travels and for her femme fatale roles in film noir with Alan Ladd during the 1940s. She was well-known for her peek-a-boo hairstyle. Lake had a string of broken marriages and, after her career declined, had long struggles with mental illness and alcoholism.

Lake was born Constance Frances Marie Ockelman in Brooklyn, New York. Her father, Harry E. Ockelman, of Danish-Irish descent,[3] worked for an oil company aboard a ship. Her father died in an industrial explosion in Philadelphia in 1932 when she was ten. Her mother, née Constance Charlotta Trimble (1902–1992),[4] (listed as “Veronica F.” on the 1920 census), married family friend Anthony Keane, a newspaper staff artist, a year later, and Lake began using his last name.

Lake was sent to Villa Maria, an all-girls Catholic boarding school in Montreal, Canada, from which she was expelled. The Keane family later moved to Miami, Florida. Lake attended Miami Senior High School in Miami, where she was known for her beauty. She had a troubled childhood and was diagnosed as schizophrenic, according to her mother.

In 1938 Lake moved with her mother and stepfather to Beverly Hills, where her mother enrolled her in the Bliss-Hayden School of Acting. Her first appearance on screen was for RKO, playing a small role among several coeds in the 1939 film, Sorority House. Similar roles followed, including All Women Have Secrets and Dancing Co-Ed. During the making of Sorority House director John Farrow first noticed how her hair always covered her right eye, creating an air of mystery about her and enhancing her natural beauty. She was then introduced, while still a teenager, to the Paramount producer Arthur Hornblow, Jr. He changed her name to Veronica Lake because the surname suited her blue eyes.

RKO subsequently dropped her contract. She married art director John S. Detlie, 14 years her senior, in 1940. A small role in the comedy, Forty Little Mothers, brought unexpected attention. In 1941 she was signed to a long-term contract with Paramount Pictures. On August 21, 1941, she gave birth to her first child, Elaine Detlie.

Her breakthrough film was I Wanted Wings in 1941, a major hit in which Lake played the second female lead and was said to have stolen scene after scene from the rest of the cast. This success was followed by Hold Back the Dawn later that year. She had starring roles in more popular movies, including Sullivan’s Travels, This Gun for Hire, I Married a Witch, The Glass Key, and So Proudly We Hail!. René Clair, the director of I Married a Witch, said of Lake “She was a very gifted girl, but she didn’t believe she was gifted.”[7]

For a short time during the early 1940s Lake was considered one of the most reliable box office draws in Hollywood. She became known for onscreen pairings with actor Alan Ladd. At first, the couple was teamed together merely out of physical necessity: Ladd was just 5 feet 5 inches (1.65 m) tall and the only actress then on the Paramount lot short enough to pair with him was Lake, who stood just 4 feet 1112 inches (1.511 m). They made four films together.

A stray lock of her shoulder-length, blonde hair during a publicity photo shoot led to her iconic “peekaboo” hairstyle, which was widely imitated. During World War II, Lake changed her trademark image to encourage women working in war industry factories to adopt more practical, safer hairstyles,[8] although doing so may have damaged her career.[9]

Although popular with the public, Lake had a complex personality and acquired a reputation for being difficult to work with. Eddie Bracken, her co-star in Star Spangled Rhythm, was quoted as saying, “She was known as ‘The Bitch’ and she deserved the title.”[10] In that movie, Lake took part in a song lampooning her hair style, “A Sweater, A Sarong and a Peekaboo Bang”, performed with Paulette Goddard and Dorothy Lamour.[11] Joel McCrea, her co-star in Sullivan’s Travels, reputedly turned down the co-starring role in I Married a Witch, saying, “Life’s too short for two films with Veronica Lake.”[12]

Lake’s career stumbled with her unsympathetic role as Nazi spy Dora Bruckman in 1944′s The Hour Before the Dawn. During filming, she tripped on a lighting cable while pregnant and began hemorrhaging. She recovered, but her second child, William, was born prematurely on July 8, 1943, dying a week later from uremic poisoning.[13] By the end of 1943 her first marriage ended in divorce. Meanwhile, scathing reviews of The Hour Before Dawn included criticism of her unconvincing German accent.

Nonetheless, Lake was earning $4,500 per week under her contract with Paramount. She had begun drinking more heavily during this period and people began refusing to work with her.[citation needed] Paramount cast Lake in a string of mostly forgotten films. A notable exception was The Blue Dahlia (1946), in which she again co-starred with Ladd. During filming, screenplay writer Raymond Chandler referred to her as “Moronica Lake”.[14] Paramount decided not to renew her contract in 1948.

Looking back at her career years later, Lake remarked, “I never did cheesecake; I just used my hair.”[15]

She married film director Andre De Toth in 1944 and had a son, Andre Anthony Michael De Toth, known as Michael De Toth (October 25, 1945 – February 24, 1991), and a daughter, Diana De Toth (born October 16, 1948). Lake was sued by her mother for support payments in 1948.

Lake earned her pilot’s license in 1946 and was able to fly solo between Los Angeles and New York.[16]

Lake died on July 7, 1973, of hepatitis and acute renal failure (complications of her alcoholism) in Burlington, Vermont, where her death was certified by Dr. Wareen Beeken at the Fletcher Allen Hospital, and where she was seen by many staff members during her nearly two-week stay. A rumor persists that she died in Montreal and was smuggled across the border to Vermont. Vermont state death records, however, confirm that she died in Burlington, Vermont.

As she requested, her ashes were scattered off the coast of the Virgin Islands. A memorial service was held in Manhattan, but only her son and a handful of strangers attended. In 2004 some of Lake’s ashes were reportedly found in a New York antique store. Her son, Michael, died on February 24, 1991, at age 45 in Olympia, Washington.

Lake has a star on the Hollywood Walk of Fame at 6918 Hollywood Boulevard for her contributions to the motion picture industry. She remains a legendary star today and her autographs and other memorabilia continue to draw high prices on eBay and other popular outlets.

Edith Head – Style Icon

If you are a fan of classic movies and pay attention to scenery and costuming, you already know Edith Head.  She had THE influence on American style before clotting designers were known.  A quick search for her on IMDB will soon have you realizing that her touch was added to most of the films that you know and love.  Ladies and gentlemen, Edith Head. Style Icon

NAME: Edith Head
OCCUPATION: Fashion Designer
BIRTH DATE: October 28, 1897
DEATH DATE: October 24, 1981
PLACE OF BIRTH: San Bernardino, California
PLACE OF DEATH: Hollywood, California

BEST KNOWN FOR: Edith Head was one of the most prolific costume designers in 20th century film, winning a record eight Academy Awards.

Edith Head (born October 28, 1897) became chief designer at Paramount Pictures in 1933 and later worked at Universal. Hollywood’s best-known designer, her costumes ranged from the elegantly simple to the elaborately flamboyant. She won a record eight Academy Awards for her work in films such as All About Eve (1950), Roman Holiday (1953), and The Sting (1973).

She became chief designer at Paramount Pictures in 1933 and later worked at Universal. Hollywood’s best-known designer, she was noted for the wide range of her costumes, from the elegantly simple to the elaborately flamboyant. She won a record eight Academy Awards for her work in films such as All About Eve (1950), Roman Holiday (1953), and The Sting (1973).

As part of a series of stamps issued by the U.S. Postal Service in February 2003, commemorating the behind-the-camera personnel who make movies, Head was featured on one to honor costume design.

The band They Might Be Giants recorded the song “She Thinks She’s Edith Head,” which was included in the 1999 album Long Tall Weekend and the 2001 album Mink Car. The song is about a girl from the singer’s past, who had changed her persona to be more sophisticated, and compares her new attitude to Head and longtime Cosmopolitan editor-in-chief Helen Gurley Brown.

To many viewers of the 2004 Pixar/Disney computer-animated film The Incredibles, the personality and mannerisms of the film’s fictional superhero costume designer Edna Mode suggest a colorful caricature of Edith Head. Edna Mode’s sense of style, round glasses, and assertive no-nonsense character are very likely a direct homage to Head’s legendary accomplishments and personal traits. But the film’s director, Brad Bird, has not yet confirmed or denied this.