Manhattan’s Lost Gilded Age Mansions

Looking Back at Manhattan’s Lost Gilded Age Mansions

Thursday, February 9, 2012, by Rob Bear

["Clark's Folly," as it once stood at 77th and Fifth (Photos: New York Historical Society)]

Before the limestone towers of Fifth and Park Avenues completed their social ascendence, the mansion was the only acceptable way for the extravagantly wealthy to live in the city. While many hunkered down in what we know today as townhouses, other, more, er, vulgar types, could only settle for the most enormous, obscenely well equipped versions, many with sprawling lawns, all built in an unabashedly ornate style. Only a handful of these mansions remain, the most prominent survivor being the Fifth Avenue spread of steel baron Henry Clay Frick,, today a museum housing his private collection of art, which occupies the entire block between 70th and 71st Streets. What now seems like an anomaly was in fact the standard, before developers discovered that rich people were perfectly willing to live stacked on top of one another.

Perhaps the most over-the-top Fifth Avenue mansion of all time was the childhood home of Huguette Clark, built in 1907 by her father, the silver king and Senator William Andrews Clark, at the corner of 77th and Fifth. The elaborate townhouse, designed in the height of Beaux Arts style, boasted “121 rooms, 31 baths, four art galleries, a swimming pool, a concealed garage,” and a private underground rail line to bring in coal for heat. It cost Clark $7M—that’s $162M in today’s dollars—to build, but stood for only 20 years, bought by a developer after Clark’s death for less than half the construction cost and demolished to make way for 960 Fifth Avenue.

[Photo: New York Architecture]

↑ Members of that most illustrious of American families, the Vanderbilts, were not to be left out of the building spree of the late 1800s. Cornelius Vanderbilt II built his extravagant brick-and-limestone mansion, designed by George Post, on the heavily trafficked corner of 58th and Fifth in 1893, catty-corner to the Plaza Hotel that would rise in 1907. But this magnificent home too was demolished in 1927 and today the site is occupied by the Bergdorf Goodman department store. The only remnant of the mansion are its magnificent gates, which today provide the entrance to Central Park’s Conservatory Gardens at 104th and Fifth.

[Photo: New York Architecture]

↑ Cornelius Vanderbilt’s brother, William Kissam Vanderbilt, also kept a house on Fifth Avenue, this one a few blocks south at 52nd Street. Of a slightly more modest scale than his brother’s, this stone pile, known as the “Petit Château,” was one of three commissioned by William and designed by Richard Morris Hunt. Influenced stylistically by Paris’s Hôtel de Cluny, the building would have a strong impact on the design of urban houses until its destruction in 1926. Today, the site is occupied by an office tower, with some of the city’s most expensive retail space on the ground floor.

[Photo: NYT]

↑ The West Side was not without its fabulously wealthy fans, like Charles M. Schwab, who built an ornate mansion on an entire city block on Riverside Drive between 73rd and 74th Streets. In 1901, Schwab, a partner in the United States Steel Corporation, spent the unheard of sum of $865K—that’s more than $22M in today’s dollars—on the building lot alone, then had French architect Maurice Hebert design an absurdly elaborate residence for the park-like grounds. Construction lasted six years, in part because of the sheer complexity of the building, which incorporated a four-car garage, a service tunnel beneath the garden, an indoor swimming pool, belfry with chimes, roof garden, and private chapel. Though the completion of this massive home, which replaced a decrepit orphanage, sparked a new wave of building on Riverside Drive, it is that newfound desirability that doomed the place to demolition. It survived until 1939, when Schwab shuttered the 50,000-square-foot, 75-room spread, disbanded his staff of 20, and unsuccessfully attempted to sell to the city as a mayoral residence. It was finally knocked down in 1948 and replaced with the Schwab Apartments.

[Photo: New York Architecture]

↑ Few of these grand mansions survived into the latter half of the 20th century, but the home of Isaac Vail Brokaw, completed in 1890 on the corner of 79th and Fifth, lasted until 1965, when it was demolished to make way for one of the Avenue’s least architecturally worthy apartment houses. The blue-blooded Brokaw, who earned his fortune as a clothing merchant, built this formally subdued home for himself, along with a pair of more ornate townhouses to the north for his two sons and one just to the east for his daughter, as a wedding present. By the time the Brokaw houses met their end in the ’60s, New Yorkers were beginning to lament the destruction of such historic structures. Developers prevailed in this case, but the public outcry provided the support for the Landmarks Law of 1965.

via Looking Back at Manhattan’s Lost Gilded Age Mansions – History Lessons – Curbed NY.

Kay Thompson – Style Icon

Born: Catherine Louise Fink November 9, 1909 St. Louis, Missouri, U.S.
Died: July 2, 1998 (aged 88) New York City, New York, U.S.

Catherine Louise Fink was born in St. Louis, Missouri in 1909, the second of the four children of Leo George Fink, an Austrian-born pawnbroker and jeweler, and his wife, the former Hattie A. Tetrick. Her siblings were Blanche, Marian, and Leo.

Thompson began her career in the 1930s as a singer and choral director for radio. Her first big break was as a regular singer on The Bing Crosby-Woodbury Show (CBS, 1933–34). This led to a regular spot on The Fred Waring-Ford Dealers Show (NBC, 1934–35) and then, with conductor Lennie Hayton, she co-founded The Lucky Strike Hit Parade (CBS, 1935) where she met (and later married) trombonist Jack Jenney.

In 1943, Thompson signed an exclusive contract with MGM to become the studio’s top vocal arranger, vocal coach, and choral director. She served as main vocal arranger for many of producer Arthur Freed’s MGM musicals and as vocal coach to such stars as Judy Garland, Lena Horne, Frank Sinatra, and June Allyson.

Thompson, who lived at the Plaza Hotel in New York City, became most notable as the author of the Eloise series of children’s books, which were partly inspired by the antics of her goddaughter Liza Minnelli, daughter of Judy Garland and film director Vincente Minnelli, but when asked if this was true responded, “I am Eloise”. The four books in the series, illustrated by Hilary Knight, are Eloise (Simon & Schuster, 1955), Eloise in Paris (Simon & Schuster, 1957), Eloise at Christmastime (Random House, 1958) and Eloise in Moscow (Simon & Schuster, 1959). They follow the adventures of the precocious six-year-old girl who lives at The Plaza. All were bestsellers upon release and have been adapted into television projects. She also composed and performed a Top 40 hit song, “Eloise” (Cadence Records, 1956). A fifth book, Eloise Takes a Bawth was posthumously published by Simon & Schuster in 2002, culled from Thompson’s original manuscripts once slated for 1964 publication by Harper & Row. However, at the time, Thompson was burned out on Eloise; she blocked publication and took all but the first book out of print, drastically reducing the income of her collaborator.

She returned to live in New York in 1969. Immediately following the death of Judy Garland, Kay appeared with her goddaughter Liza Minnelli in Otto Preminger’s Tell Me That You Love Me, Junie Moon (Paramount, 1970). In 1974, Thompson directed a groundbreaking fashion show at the Palace of Versailles featuring performances by Liza Minnelli and the collections of Halston, Bill Blass, Oscar de la Renta, and Anne Klein.