Happy Birthday Patrick Nagel

Today is the 69th birthday of the artist Patrick Nagel.  If you grew up in the 80’s or have ever been to a nail salon in a strip mall, you know his work.  You probably didn’t know his story, which is where I come in.  I love the stylized era of his work, it takes me right back to watching music videos on MTV.  I think of Remington Steele, huge brick cell phones, and Duran Duran.  I hope this helps you appreciate his work and gives you a fuller understanding of the man behind the woman in sunglasses.  The world is a better place because Nagel was in it and still feels the loss that Nagel has left.

Name:  Patrick Nagel
Born: 25-Nov-1945
Birthplace: Dayton, OH
Died: 4-Feb-1984
Location of death: Santa Monica, CA

BEST KNOWN FOR:  Illustrator whose work consists of minimal paintings of women with white skin, black hair, and the barest hint of a nose. Recognisable work includes the cover of Duran Duran’s Rio (1984).

Patrick Nagel (November 25, 1945 – February 4, 1984) was an American artist. He created popular illustrations on board, paper, and canvas, most of which emphasize the simple grace of and beauty of the female form, in a distinctive style descended from Art Deco. He is best known for his illustrations for Playboy magazine, and the pop group Duran Duran, for whom he designed the cover of the best selling album Rio.

Nagel was born in Dayton, Ohio in 1945, but was raised and spent most of his life in the Los Angeles area. After serving in the United States Army with the 101st Airborne in Vietnam, Nagel attended the Chouinard Art Institute in Los Angeles in 1969, and in that same year he received his Bachelor of Fine Arts degree from California State University, Fullerton.

In 1971, Nagel worked as a graphic designer for ABC Television, producing graphics for promotions and news broadcasts. The following year, he began work as a freelance artist for major corporations and magazines, including Architectural Digest, Harper’s Magazine, IBM, ITT Corporation, MGM, Oui, Rolling Stone, United Artists, and Universal Studios.
In 1976, Nagel began to regularly contribute images to Playboy magazine, which improved his exposure and the popularity of “the Nagel Woman” image to a huge audience. In 1978, he made his first poster image for Mirage Editions, with whom he would print many Nagel women images.

Nagel’s 1982 painting for the album cover of rock group Duran Duran’s hit album Rio would become one of his best known images.

He also worked for many commercial clients, including Intel, Lucky Strike cigarettes, Ballentine Whiskey, and Budweiser. As his popularity grew he began offering limited edition prints of his work.

Nagel would start with a photograph and work down, always simplifying and removing elements which he felt were unnecessary. The resulting image would look flat, but emphasized those elements which he felt were most important.

According to Elena G. Millie, curator of the poster collection at the Library of Congress:

Like some of the old print masters (Toulouse-Lautrec and Bonnard, for example), Nagel was influenced by the Japanese woodblock print, with figures silhouetted against a neutral background, with strong areas of black and white, and with bold line and unusual angles of view. He handled colors with rare originality and freedom; he forced perspective from flat, two-dimensional images; and he kept simplifying, working to get more across with fewer elements. His simple and precise imagery is also reminiscent of the art-deco style of the 1920s and 1930s- its sharp linear treatment, geometric simplicity, and stylization of form yield images that are formal yet decorative.

Nagel’s figures generally have black hair, bright white skin, full-lipped mouths, and the distinctive Nagel eyes, which are often squared off in the later works. Because of the intense stylization and reduction of facial features into clean lines, generally the figures resemble each other, though Nagel worked with many models, including Playboy Playmates Cathy St. George, Tracy Vaccaro and Shannon Tweed. Nagel also painted several celebrity portraits including those of Joan Collins (whose portrait was subsequently released as a limited edition print) and Joanna Cassidy.

In 1984, at the age of 38, the artist participated in a 15-minute celebrity “Aerobathon” to raise funds for the American Heart Association. Afterwards, he was found dead in his car, and doctors determined by autopsy that he had suffered a heart attack.

Patricia Lu Mallet Anderson Banghart

My aunt Pat died on Sunday.  She was very kind to me my first summer at Interlochen Arts Camp.  She worked in the Academic Library and I spent a lot of time in the library reading back issues of art magazines and Aldous Huxley novels.  I really appreciated a friendly face, I felt so alone that summer.  The world is a better place because she was in it and will feel the loss now that she has left.

Partricia Lu Banghart, 82, of Interlochen passed away November 16, 2014 at the Grand Traverse Pavilions.

Patty was born on November 14, 1932 in North Muskegon to the late Henry and Frances (Reed) Mallett.

In 1980, Patty married Edward Philip Banghart at All Saints Lutheran Church in Traverse City. Ed preceded Patty in death in 2013.

Patty earned her bachelor’s and master’s degree in music education from the University of Michigan. Her career brought her to Interlochen where she taught for Traverse City Public Schools and was a member of the Michigan Music Teachers Association. Patty enjoyed teaching students how to play the piano. Patty also spent decades on staff at Interlochen Center for the Arts. She was a member of Bethlehem Lutheran Church where she was active in the choir. Patty also enjoyed nature and loved to be outdoors.

Patty is survived by her son Reed (Diana) Anderson of Sylvania, OH, son Paul (Cheryl) Anderson of Los Alamos, NM, step-daughter Dawn Banghart of Woodside, CA, step-son Thomas Banghart of West Hollywood, CA, and grandsons Max and Ian Anderson of Sylvania, OH.

Patty was preceded in death by her son Erik Alfred Anderson.

A memorial service celebrating Patty’s life will be held at a later date.

Memorial contributions in memory of Patty may be directed to Interlochen Center for the Arts (P.O. Box 199, Interlochen, MI 49643) or to the Grand Traverse Pavilions (Elm: 1000 Pavilions Circle, Traverse City, MI 49684).

Happy Birthday Robert F. Kennedy

Today is the birthday of Robert Kennedy.  His Indianapolis speech is one of the most important speeches of the 20th century.  Celebrate his life today by reading or listening to it.  The world is a better place because he was in it and still feels the loss that he has left.

Name:  Robert Kennedy
Occupation:  Government Official
Birth Date:  November 20, 1925
Death Date:  June 6, 1968
EducationUniversity of Virginia Law School, Harvard University
Place of Birth:  Brookline, Massachusetts
Place of Death:  Los Angeles, California

BEST KNOWN FOR:  Robert Kennedy was Attorney General during his brother JFK’s administration. He later served as a U.S. Senator and was assassinated during his run for the presidency.

Robert F. Kennedy’s speech on the assassination of Martin Luther King, Jr. was given on April 4, 1968, in Indianapolis, Indiana. Kennedy, the United States senator from New York, was campaigning to earn the 1968 Democratic presidential nomination when he learned of King’s assassination in Memphis, Tennessee. Earlier that day Kennedy had spoken at the University of Notre Dame in South Bend and at Ball State University in Muncie, Indiana. Before boarding a plane to attend campaign rallies in Indianapolis, Kennedy learned that King had been shot. When he arrived, Kennedy was informed that King had died. Despite fears of riots and concerns for his safety, Kennedy went ahead with plans to attend a rally at 17th and Broadway in the heart of Indianapolis’s African-American ghetto. That evening Kennedy addressed the crowd, many of whom had not heard about King’s assassination. Instead of the rousing campaign speech they expected, Kennedy offered brief, impassioned remarks for peace that is considered to be one of the great public addresses of the modern era.

Kennedy was the first to publicly inform the audience of King’s assassination, causing members of the audience to scream and wail in disbelief.  Several of Kennedy’s aides were worried that the delivery of this information would result in a riot. Once the audience quieted down, Kennedy spoke of the threat of disillusion and divisiveness at King’s death and reminded the audience of King’s efforts to “replace that violence, that stain of bloodshed that has spread across our land, with an effort to understand with compassion and love.”  Kennedy acknowledged that many in the audience would be filled with anger, especially since the assassin was believed to be a white man. He empathized with the audience by referring to the assassination of his brother, President John F. Kennedy, by a white man. The remarks surprised Kennedy aides, who had never heard him speak of his brother’s death in public.  Quoting the ancient Greek playwright Aeschylus, whom he had discovered through his brother’s widow, Jacqueline Kennedy, Kennedy said, “Even in our sleep, pain which cannot forget falls drop by drop upon the heart until, in our own despair, against our will, comes wisdom through the awful grace of God.”  Kennedy then delivered one of his most well-remembered remarks: “What we need in the United States is not division; what we need in the United States is not hatred; what we need in the United States is not violence or lawlessness, but love and wisdom, and compassion toward one another, and a feeling of justice towards those who still suffer within our country, whether they be white or whether they be black. To conclude, Kennedy reiterated his belief that the country needed and wanted unity between blacks and whites and encouraged the country to “dedicate ourselves to what the Greeks wrote so many years ago: to tame the savageness of man and to make gentle the life of this world.”  He finished by asking the audience members to pray for “our country and our people.”  Rather than exploding in anger at the tragic news of King’s death, the crowd dispersed quietly.

Ladies and Gentlemen,

I’m only going to talk to you just for a minute or so this evening, because I have some — some very sad news for all of you — Could you lower those signs, please? — I have some very sad news for all of you, and, I think, sad news for all of our fellow citizens, and people who love peace all over the world; and that is that Martin Luther King was shot and was killed tonight in Memphis, Tennessee.

Martin Luther King dedicated his life to love and to justice between fellow human beings. He died in the cause of that effort. In this difficult day, in this difficult time for the United States, it’s perhaps well to ask what kind of a nation we are and what direction we want to move in. For those of you who are black — considering the evidence evidently is that there were white people who were responsible — you can be filled with bitterness, and with hatred, and a desire for revenge.

We can move in that direction as a country, in greater polarization — black people amongst blacks, and white amongst whites, filled with hatred toward one another. Or we can make an effort, as Martin Luther King did, to understand, and to comprehend, and replace that violence, that stain of bloodshed that has spread across our land, with an effort to understand, compassion, and love.

For those of you who are black and are tempted to fill with — be filled with hatred and mistrust of the injustice of such an act, against all white people, I would only say that I can also feel in my own heart the same kind of feeling. I had a member of my family killed, but he was killed by a white man.

But we have to make an effort in the United States. We have to make an effort to understand, to get beyond, or go beyond these rather difficult times.

My favorite poem, my — my favorite poet was Aeschylus. And he once wrote:

Even in our sleep, pain which cannot forget falls drop by drop upon the heart, until, in our own despair, against our will, comes wisdom through the awful grace of God.
What we need in the United States is not division; what we need in the United States is not hatred; what we need in the United States is not violence and lawlessness, but is love, and wisdom, and compassion toward one another, and a feeling of justice toward those who still suffer within our country, whether they be white or whether they be black.

So I ask you tonight to return home, to say a prayer for the family of Martin Luther King — yeah, it’s true — but more importantly to say a prayer for our own country, which all of us love — a prayer for understanding and that compassion of which I spoke.

We can do well in this country. We will have difficult times. We’ve had difficult times in the past, but we — and we will have difficult times in the future. It is not the end of violence; it is not the end of lawlessness; and it’s not the end of disorder.

But the vast majority of white people and the vast majority of black people in this country want to live together, want to improve the quality of our life, and want justice for all human beings that abide in our land.

And let’s dedicate ourselves to what the Greeks wrote so many years ago: to tame the savageness of man and make gentle the life of this world. Let us dedicate ourselves to that, and say a prayer for our country and for our people.

Thank you very much.

Despite rioting in other major American cities, Indianapolis remained calm that night after Kennedy’s remarks, which is believed to have been in part because of the speech.  In stark contrast to Indianapolis, riots erupted in more than one hundred U.S. cities including Chicago, New York City, Boston, Detroit, Oakland, Pittsburgh, and Baltimore, killing 35 and injuring more than 2,500. Across the country, approximately seventy thousand army and National Guard troops were called out to restore order.

Two months later, Robert Kennedy was shot while exiting the ballroom through kitchen of The Ambassador Hotel in Los Angeles.  He died early the next morning

The speech itself has been listed as one of the greatest in American history, ranked 17th by communications scholars in a survey of 20th century American speeches.

 

 

Happy Birthday Grace Kelly

Today is Grace Kelly’s 85th birthday.  When you realize that and that she died 31 years ago, you should feel robbed.  Robbed of having her around for the last three decades.  Naming your favorite Hitchcock Blonde is a bit like naming your favorite Hitchcock movie: they all have qualities that you adore, they all have scenes that take your breath away, and they all hold a piece of your heart. But deciding on which one is impossible. Grace, Ingred, Tippi, Kim, Eva Marie, Anne, Carole, Marlene, Janet, Doris? I will not name a favorite. Grace is one of them. There are scenes in Rear Window that are absolute perfection and have clung to the insides of my brain since I first viewed them in junior high.  The world is a better place because she was in it and still feels the loss that she has left.

 

NAME: Grace Patricia Kelly
OCCUPATION: Film Actress, Princess
BIRTH DATE: November 12, 1929
DEATH DATE: September 14, 1982
EDUCATION: American Academy of Dramatic Arts
PLACE OF DEATH: France
AKA: Princess Grace of Monaco
AKA: French Princesse Grace de Monaco

BEST KNOWN FOR: A highly popular film actress in the 1950s, Grace Kelly starred in movies such as Dial M for Murder and To Catch a Thief. She married Prince Rainier III of Monaco.

Grace Patricia Kelly (November 12, 1929 – September 14, 1982) was an American actress who, in April 1956, married Rainier III, Prince of Monaco, to become Princess consort of Monaco, styled as Her Serene Highness The Princess of Monaco, and commonly referred to as Princess Grace.

After embarking on an acting career in 1950, at the age of 20, Grace Kelly appeared in New York City theatrical productions as well as in more than forty episodes of live drama productions broadcast during the early 1950s Golden Age of Television. In October 1953, with the release of Mogambo, she became a movie star, a status confirmed in 1954 with a Golden Globe Award and Academy Award nomination as well as leading roles in five films, including The Country Girl, in which she gave a deglamorized, Academy Award-winning performance. She retired from acting at 26 to enter upon her duties in Monaco. She and Prince Rainier had three children: Caroline, Albert, and Stéphanie. She also retained her American roots, maintaining dual US and Monégasque citizenships.

She died after suffering a stroke on September 14, 1982, when she lost control of her automobile and crashed. Her daughter, Princess Stéphanie, was in the car with her, and survived the accident.

In June 1999, the American Film Institute ranked her No.13 in their list of top female stars of American cinema.

In 1951, the newly famous Kelly took a bold stand against a racist incident involving Black American expatriate singer/dancer Josephine Baker, when Sherman Billingsley‘s Stork Club in New York refused Baker as a customer. Kelly, who was dining at the club when this happened, was so disgusted that she rushed over to Baker (whom she had never met), took her by the arm, and stormed out with her entire party, vowing never to return (and she never did). The two women became close friends after that night. A significant testament to their close friendship was made evident when Baker was near bankruptcy, and was offered a villa and financial assistance by Kelly (who by that time had become The Princess of Monaco) and her husband Rainier III of Monaco. The princess also encouraged Baker to return to performing and financed Baker’s triumphant comeback in 1975, attending the opening night’s performance. When Baker died, the Princess secured her burial in Monaco.

Happy Birthday Marie Dressler

This week is the 146th birthday of Marie Dressler, an amazing character actress.  She is one of those actors that play the mother or the wealthy aunt or the uptight grandmother that is really there to create conflict and contrast between the leading roles, but I end up watching her.  Later in her film career, they would give her these lines, little throw away quips that were so hilarious and I hope she really loved being able to sneak in zingers while the rest of the characters were too caught up in love and so forth to notice.  The world is a better place because she was in it and still feels the loss since she has left.

NAME: Marie Dressler
OCCUPATION: Film Actress, Theater Actress, Comedian
BIRTHDATE: November 09, 1868
DEATH DATE: July 28, 1934
PLACE OF BIRTH: Cobourg, Canada
PLACE OF DEATH: Santa Barbara, California
Originally: Leila Marie Koerber

Best Known For:  Marie Dressler is best known for her acting in the theater and film, winning an Oscar.

Dressler had appeared in two shorts as herself, but her first role in a feature film came in 1914, at the age of 44.  After Mack Sennett became the owner of his namesake motion picture studio, he convinced Dressler to star in his 1914 silent film Tillie’s Punctured Romance. The film was to be the first full-length, six-reel motion picture comedy.  According to Sennett, a prospective budget of $200,000 meant that he needed “a star whose name and face meant something to every possible theatre-goer in the United States and the British Empire.”  The movie was based on Dressler’s hit Tillie’s Nightmare, a choice credited either to Dressler or to a Keystone studio employee.  Dressler herself claims to have cast Charles Chaplin in the movie as her leading man, and was “proud to have had a part in giving him his first big chance.”  Instead of his recently invented Tramp character, Chaplin played a villainous rogue. Silent film comedienne Mabel Normand also starred in the movie. Tillie’s Punctured Romance was a hit with audiences and Dressler appeared in two Tillie sequels and other comedies until 1918, when she returned to vaudeville.

In 1919, during the Actors’ Equity strike in New York City, the Chorus Equity Association was formed and voted Dressler its first president. Dressler was blacklisted by the theater production companies due to her strong stance. Dressler found it difficult to find work during the 1920s. She left New York for Hollywood in search of work in films.

In 1927, Frances Marion, an MGM screenwriter, came to Dressler’s rescue. Dressler had shown great kindness to Marion during the filming of Tillie Wakes Up in 1917, and in return, Marion used her influence with MGM’s production chief Irving Thalberg to return Dressler to the screen.  Her first MGM feature was The Callahans and the Murphys (1927), a rowdy silent comedy co-starring Dressler (as Ma Callahan) with another former Mack Sennett comedienne, Polly Moran, written by Marion.

The film was initially a success, but the portrayal of Irish characters caused a protest in the Irish World newspaper, protests by the American Irish Vigilance Committee, and pickets outside the film’s New York theatre. The film was first cut by MGM in an attempt to appease the Irish community, then eventually pulled from release after Cardinal Dougherty of the diocese of Philadelphia called MGM president Nicholas Schenck.  It was not shown again, and the negative and prints may have been destroyed. While the film brought her to Hollywood, it did not establish Dressler’s career. Her next appearance was a minor part in the First National film Breakfast at Sunrise. She appeared again with Moran in Bringing Up Father, another film written by Marion, and also appeared in an early color film, The Joy Girl. Dressler returned to MGM in 1928’s The Patsy in a winning portrayal, playing the fluttery mother to star Marion Davies and Jane Winton.

Hollywood was converting from silent films, but “talkies” presented no problems for Dressler, whose rumbling voice could handle both sympathetic scenes and snappy comebacks (she’s the wisecracking stage actress in Chasing Rainbows and the dubious matron in Rudy Vallee’s Vagabond Lover). Early in 1930, Dressler joined Edward Everett Horton’s theater troupe in L.A. to play a princess in Ferenc Molnár’s The Swan. But after one week, she quit the troupe. She proceeded to leave Horton flat, much to his indignation.

Frances Marion persuaded Thalberg to give Dressler the role of Marthy, the old harridan who welcomes Greta Garbo home after the search for her father, in the 1930 film Anna Christie. Garbo and the critics were impressed by Dressler’s acting ability, and so was MGM, which quickly signed her to a $500-per-week contract.

A robust, full-bodied woman of very plain features, Dressler went on to act in comic films which were very popular with the movie-going public and an equally lucrative investment for MGM. Although past sixty years of age, she quickly became Hollywood’s number one box-office attraction, and stayed on top until her death at age 65. In addition to her comedic genius and her natural elegance, Dressler demonstrated her considerable talents by taking on serious roles. For her starring portrayal in Min and Bill, with Wallace Beery, she won the 1930–31 Academy Award for Best Actress (the eligibility years were staggered at that time). Dressler was nominated again for Best Actress for her 1932 starring role in Emma. With that film, Dressler demonstrated her profound generosity to other performers. Dressler personally insisted that her studio bosses cast a friend of hers, a largely unknown young actor named Richard Cromwell, in the lead opposite her. This break helped launch his career.

Dressler followed these successes with more hits in 1933, including the comedy Dinner at Eight, in which she played an aging but vivacious former stage actress. Dressler had a memorable bit with Jean Harlow in the film:

Harlow: Do you know that the guy said that machinery is going to take the place of every profession?
Dressler: Oh my dear, that’s something you need never worry about.

Following the release of that film, Dressler appeared on the cover of Time magazine, in its August 7, 1933, issue. MGM held a huge birthday party for Dressler in 1933, broadcast live via radio. Her newly regenerated career came to an abrupt end when she was diagnosed with terminal cancer in 1934. MGM head Louis B. Mayer learned of Dressler’s illness from her doctor and asked that she not be told. To keep her home, he ordered her not to travel on her vacation because he wanted to put her in a new film. Dressler was furious but complied.

Dressler appeared in more than forty films, and achieved her greatest successes in talking pictures made during the last years of her life. Always seeing herself as physically unattractive, she wrote an autobiography titled The Life Story of an Ugly Duckling.

On Saturday July 28, 1934, Dressler died of cancer at the age of 65 in Santa Barbara, California. After a private funeral held at The Wee Kirk o’ the Heather chapel, Dressler was interred in a crypt in the Great Mausoleum in the Forest Lawn Memorial Park, Glendale in Glendale, California.

Dressler left an estate worth $310,000, the bulk left to her sister Bonita.  Dressler left her 1931 automobile and $35,000 in her will to her maid of twenty years, Mamie Cox, and $15,000 to Cox’s husband Jerry, who had served as Dressler’s butler for four years.  The two used the funds to open the Cocoanut Grove night club in Savannah, Georgia in 1936, named after the night club in Los Angeles.

Dressler’s birth home in Cobourg, Ontario is known as the “Marie Dressler House” and is open to the public. The home was converted to a restaurant in 1937 and operated as a restaurant until 1989, when it was damaged by fire. It was restored but did not open again as a restaurant. It was the office of the Cobourg Chamber of Commerce until its conversion to its current use as a museum about Dressler and as a visitor information office for Cobourg. Each year, the Marie Dressler Foundation Vintage Film Festival is held, with screenings in Cobourg and in Port Hope, Ontario.

For her contribution to the motion picture industry, Marie Dressler has a star on the Hollywood Walk of Fame at 1731 Vine Street, added in 1960.

Canada Post, as part of its “Canada in Hollywood” series, issued a postage stamp on June 30, 2008 to honour Marie Dressler.

Happy Birthday Hedy Lamarr

This week is the 100h birthday of achingly beautiful actress, brilliant scientist, author and compulsive shoplifter Hedy Lamarr.  She was married six times and slept with Hitler (so says a biographer).  She is an amazing example of everyone’s ability to have many interests and explore all of them.  The world is a better place because she was in it and still feels the loss that she has left.

NAME: Hedy Lamarr
OCCUPATION: Film Actor, Pin-up
BIRTH DATE: November 09, 1913
DEATH DATE: January 19, 2000
PLACE OF BIRTH: Vienna, Austria
PLACE OF DEATH: Orlando, Florida
ORIGINALLY: Hedwig Eva Maria Kiesler

BEST KNOWN FOR: Extraordinarily beautiful, Hedy Lamarr was a Austrian-American actress during MGM’s “Golden Age.”

Actress. Born Hedwig Eva Maria Kiesler, on November 9, 1913, in Vienna, Austria. Discovered by an Austrian film director as a teenager, she gained international notice in 1933, with her role in the sexy Czech film Ecstasy. After her marriage with Fritz Mandl, a wealthy Austrian munitions manufacturer, ended, she signed a contract with the Metro-Goldwyn-Mayer studio and began her career in Hollywood as Hedy Lamarr. Upon the release of her first American film, Algiers, co-starring Charles Boyer, Lamarr became an immediate box-office sensation.

Often referred to as one of the most gorgeous and exotic of Hollywood’s leading ladies, Lamarr made a number of well-received films during the 1930s and 1940s. Notable among them were Lady of the Tropics (1939), co-starring Robert Taylor; Boom Town (1940), with Clark Gable and Spencer Tracy; Tortilla Flat (1942), co-starring Tracy; and Samson and Delilah (1949), opposite Victor Mature. She was reportedly producer Hal Wallis’ first choice for the heroine in his classic 1943 film, Casablanca, a part that eventually went to Ingrid Bergman.

In 1942, during the heyday of her career, Lamarr earned recognition in a field quite different from entertainment. She and her friend, the composer George Antheil, received a patent for an idea of a radio signaling device, or “Secret Communications System,” that later became an important step in the development of technology to maintain the security of both military communications and cellular phones.

Lamarr’s film career began to decline in the 1950s; her last film was 1958’s The Female Animal, with Jane Powell. In 1966, she published a steamy best-selling autobiography, Ecstasy and Me, but later sued the publisher for what she saw as errors and distortions perpetrated by the book’s ghostwriter. She was arrested twice for shoplifting, once in 1966 and once in 1991, but neither arrest resulted in a conviction.

Lamarr was married six times and had two children, Anthony and Denise, with her third husband, the actor John Loder. She also adopted a son, James. In the later years of her life, Lamarr lived quietly in Orlando, Florida. She died on January 19, 2000, at the age of 86.

For her contribution to the motion picture industry, Hedy Lamarr has a star on the Hollywood Walk of Fame at 6247 Hollywood Blvd.

In 2003, the Boeing corporation ran a series of recruitment ads featuring Hedy Lamarr as a woman of science. No reference to her film career was made in the ads.

Personal Quotes

“My problem is, I’m a hell of a nice dame, The most horrible whores are famous. I did what I did for love. The others did it for money.”

“Any girl can be glamorous. All you have to do is stand still and look stupid.”

FILMOGRAPHY AS ACTOR

The Female Animal (22-Jan-1958)
The Story of Mankind (8-Nov-1957) · Joan of Arc
My Favorite Spy (17-Dec-1951) · Lily Dalbray
Copper Canyon (22-Sep-1950)
A Lady Without Passport (3-Aug-1950) · Marianne Lorress
Samson and Delilah (31-Oct-1949) · Delilah
Let’s Live a Little (9-Dec-1948)
Dishonored Lady (16-May-1947) · Madeleine Damien
The Strange Woman (25-Oct-1946)
Her Highness and the Bellboy (11-Jul-1945) · Princess Veronica
Experiment Perilous (18-Dec-1944) · Allida Bederaux
The Conspirators (17-Oct-1944) · Irene Von Mohr
The Heavenly Body (29-Dec-1943) · Vicky Whitley
Crossroads (23-Jul-1942) · Lucienne Talbot
Tortilla Flat (21-May-1942) · Dolores Sweets Ramirez
White Cargo (1942) · Tondelayo
H.M. Pulham, Esq. (3-Dec-1941) · Marvin Myles
Ziegfeld Girl (25-Apr-1941) · Sandra Kolter
Come Live With Me (29-Jan-1941) · Johnny Jones
Comrade X (13-Dec-1940) · Theodore
Boom Town (30-Aug-1940) · Karen Vanmeer
I Take This Woman (2-Feb-1940) · Georgi Gragore
Lady of the Tropics (11-Aug-1939) · Manon DeVargnes
Algiers (28-Jun-1938) · Gaby
Ecstasy (20-Jan-1933)

Notorious – Required Viewing

Notorious

The Wiki:

Notorious is a 1946 American thriller film directed and produced by Alfred Hitchcock, starring Cary Grant, Ingrid Bergman and Claude Rains as three people whose lives become intimately entangled during an espionage operation. It was shot in late 1945 and early 1946, and was released by RKO in August 1946.

Notorious marks a watershed for Hitchcock artistically, and represents a heightened thematic maturity. His biographer, Donald Spoto, writes that “Notorious is in fact Alfred Hitchcock’s first attempt—at the age of forty-six—to bring his talents to the creation of a serious love story, and its story of two men in love with Ingrid Bergman could only have been made at this stage of his life.”

The film is known for two scenes in particular. In one of his most famous shots, Hitchcock starts wide and high on a second floor balcony overlooking the great hall of a grand mansion. Slowly he tracks down and in on Ingrid Bergman, finally ending with a tight close-up of a key tucked in her hand. Hitchcock also devised “a celebrated scene” that circumvented the Production Code‘s ban on kisses longer than three seconds—by having his actors disengage every three seconds, murmur and nuzzle each other, then start right back up again. The two-and-a-half minute osculation is “perhaps his most intimate and erotic kiss”.