The Library of Congress created an exhibit, “Books that Shaped America,” that explores books that “have had a profound effect on American life.” Many of the books in the exhibit have been banned/challenged. Give yourself the gift of a beautiful story and read one and them imagine what your life would be like if you were never given that gift.
Ellison’s book won the 1953 National Book Award for Fiction because it expertly dealt with issues of black nationalism, Marxism and identity in the twentieth century. Considered to be too expert in its ruminations for some high schools, the book was banned from high school reading lists and schools in Pennsylvania, Wisconsin and Washington state.
The grandson of slaves, Ralph Ellison was born in 1914 in Oklahoma City, Oklahoma, and was raised largely in Tulsa, Oklahoma. His father was a construction worker, and his mother was a domestic servant who also volunteered for the local Socialist Party. As a young man, Ellison developed an abiding interest in jazz music; he befriended a group of musicians who played in a regional band called Walter Page’s Blue Devils, many of whom later played with Count Basie’s legendary big band in the late 1930s. Ellison himself studied the cornet and trumpet, and planned a career as a jazz musician. In 1933, he left Oklahoma to begin a study of music at the Tuskegee Institute in Tuskegee, Alabama. The Institute, which is now called Tuskegee University, was founded in 1881 by Booker T. Washington, one of the foremost black educators in American history, and became one of the nation’s most important black colleges. It later served as the model for the black college attended by the narrator in Invisible Man.
Ellison left the Tuskegee Institute in 1936 and moved to New York City, where he settled in Harlem. As an employee of the Federal Writers’ Project, Ellison befriended many of the most important African-American writers of the era, including Langston Hughes and Richard Wright. Ellison also befriended the eminent jazz writer and sociologist Albert Murray, with whom he carried on a lengthy and important literary correspondence, later collected in the book Trading Twelves. After a year editing the Negro Quarterly, Ellison left for the Merchant Marines, in which he served during World War II. After the war, Ellison won a Rosenwald Fellowship, which he used to write Invisible Man. The first chapter appeared in America in the 1948 volume of Magazine of the Year, and the novel was published in its entirety in 1952.
Employing a shifting, improvisational style directly based on Ellison’s experience of jazz performance, Invisible Man ranges in tone from realism to extreme surrealism, from tragedy to vicious satire to near-slapstick comedy. Rich in symbolism and metaphor, virtuosic in its use of multiple styles and tones, and steeped in the black experience in America and the human struggle for individuality, the novel spent sixteen weeks on the best-seller list and won the National Book Award in 1953. Achieving one of the most sensational debuts of any novel in American history, Invisible Man was hailed by writers such as Saul Bellow and critics such as Irving Howe as a landmark publication; some critics claimed that it was the most important American novel to appear after World War II.
Invisible Man was heavily influenced by the work of a number of twentieth-century French writers known as the existentialists. Existentialism, whose foremost proponents included Albert Camus and Jean-Paul Sartre, explored the question of individuality and the nature of meaning in a seemingly meaningless universe. Ellison adapted the existentialists’ universal themes to the black experience of oppression and prejudice in America. He also engaged powerfully with the tradition of African-American social debate. In the character of Dr. Bledsoe, the novel offers a vehement rejection of the philosophy of Booker T. Washington, which advocated that blacks should work toward economic success as a means of achieving racial equality. It also critiques, through the character of Ras the Exhorter, Marcus Garvey’s philosophy of black nationalism.
Despite—or possibly because of—the overwhelming success of Invisible Man, Ellison never published another novel in his lifetime. Though he published two books of essays—Shadow Act in the 1960s and Going to the Territory in the 1980s—Ellison spent his later decades laboring on a vast novel, which he never finished. Upon his death in 1994, Ellison left behind more than 2,000 pages of unedited, incomplete manuscript. In heavily abridged and edited form, this manuscript was published five years after his death under the title Juneteenth, to generally unfavorable reviews.