Vertigo (1959)

Sixty-one years ago today, the film Vertigo premiered. There is a lot to love about this film: Alfred Hitchcock, James Stewart, Kim Novak, Edith Head, Saul Bass, San Francisco. When I was living in San Francisco, I used to set my walks places to include famous landmarks and/or locations of famous films. I would walk by Scottie’s apartment building whenever possible and it was fairly east to do because it is one block downhill on Lombard from the famous block. There’s a wall in front of it now, but glimpses are still possible. This film is another one I first watched as a kid. It seemed intense then and maybe even a bit confusing, but watching it recently, it is so very beautifully stylish, but still disturbing. You have to watch this film.

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Title: Vertigo
Directed by: Alfred Hitchcock
Produced by: Alfred Hitchcock
Screenplay by: Alec Coppel, Samuel Taylor
Based on: D’entre les morts by Pierre Boileau, Thomas Narcejac
Starring: James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore, Henry Jones
Music by: Bernard Herrmann
Cinematography: Robert Burks
Edited by: George Tomasini
Production company: Alfred J. Hitchcock Productions
Distributed by: Paramount Pictures
Release date: May 9, 1958
Running time: 128 minutes
Budget: $2.5 million
Box office: $7.3 million

After a rooftop chase, where his fear of heights and vertigo result in the death of a policeman, San Francisco detective John “Scottie” Ferguson retires. Scottie tries to conquer his fear, but his friend and ex-fiancée Midge Wood says that another severe emotional shock may be the only cure.

An acquaintance from college, Gavin Elster, asks Scottie to follow his wife, Madeleine, claiming that she is in some sort of danger. Scottie reluctantly agrees, and follows Madeleine to a florist where she buys a bouquet of flowers, to the Mission San Francisco de Asís and the grave of one Carlotta Valdes (1831–1857), and to the Legion of Honor art museum where she gazes at the Portrait of Carlotta. He watches her enter the McKittrick Hotel, but on investigation she does not seem to be there.

A local historian explains that Carlotta Valdes committed suicide: she had been the mistress of a wealthy married man and bore his child; the otherwise childless man kept the child and cast Carlotta aside. Gavin reveals that Carlotta (who he fears is possessing Madeleine) is Madeleine’s great-grandmother, although Madeleine has no knowledge of this, and does not remember the places she has visited. Scottie tails Madeleine to Fort Point and, when she leaps into the bay, he rescues her.

The next day Scottie follows Madeleine; they meet and spend the day together. They travel to Muir Woods and Cypress Point on 17-Mile Drive, where Madeleine runs down towards the ocean. Scottie grabs her and they embrace. Madeleine recounts a nightmare and Scottie identifies its setting as Mission San Juan Bautista, childhood home of Carlotta. He drives her there and they express their love for each other. Madeleine suddenly runs into the church and up the bell tower. Scottie, halted on the steps by his acrophobia, sees Madeleine plunge to her death.

The death is declared a suicide. Gavin does not fault Scottie, but Scottie breaks down, becomes clinically depressed and is in a sanatorium, almost catatonic. After release, Scottie frequents the places that Madeleine visited, often imagining that he sees her. One day, he notices a woman who reminds him of Madeleine, despite her different appearance. Scottie follows her and she identifies herself as Judy Barton, from Salina, Kansas.

A flashback reveals that Judy was the person Scottie knew as “Madeleine Elster”; she was impersonating Gavin’s wife as part of a murder plot. Judy drafts a letter to Scottie explaining her involvement: Gavin had deliberately taken advantage of Scottie’s acrophobia to substitute his wife’s freshly killed body in the apparent “suicide jump”. But Judy rips up the letter and continues the charade because she loves Scottie.

They begin seeing each other, but Scottie remains obsessed with “Madeleine”, and asks Judy to change her clothes and hair so that she resembles Madeleine. After Judy complies, hoping that they may finally find happiness together, he notices her wearing the necklace portrayed in the painting of Carlotta, and realizes the truth, and that Judy had been Elster’s mistress, before being cast aside just as Carlotta was. Scottie insists on driving Judy to the Mission.

There, he tells her he must re-enact the event that led to his madness, admitting he now understands that “Madeleine” and Judy are the same person. Scottie forces her up the bell tower and makes her admit her deceit. Scottie reaches the top, finally conquering his acrophobia. Judy confesses that Gavin paid her to impersonate a “possessed” Madeleine; Gavin faked the suicide by throwing the body of his wife from the bell tower.

Judy begs Scottie to forgive her because she loves him. He embraces her, but a shadowed figure rises from the trapdoor of the tower, startling Judy, who steps backward and falls to her death. Scottie, bereaved again, stands on the ledge, while the figure, a nun investigating the noise, rings the mission bell.

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