Today is the 124th birthday of the Russian dancer/choreographer Léonide Massine. The world is a better place because he was in it and still feels the loss that he has left.
NAME: Léonide Massine
OCCUPATION: Ballet Dancer, Choreographer
BIRTH DATE: August 09, 1896
DEATH DATE: March 15, 1979
PLACE OF BIRTH: Moscow, Russia
PLACE OF DEATH: Cologne, Germany
Originally: Leonid Fyodorovich Miassin
National Museum of Dance and Hall of Fame 2002
BEST KNOWN FOR: Léonide Massine was a ballet dancer, teacher and choreographer. He joined the Ballets Russes in 1914 and produced his first ballet, Midnight Sun, in 1915.
Léonide Massine was born on August 9, 1896, in Moscow, Russia. A drama and dance student at his home city’s Imperial School, he was invited by impresario Sergei Diaghilev to join the Ballets Russes. Massine became a principal dancer for the company, and in 1915 he choreographed his first ballet, Soleil de Nuit. He also had both a professional and intimate relationship with Diaghilev.
Massine continued to dance while choreographing ballets that highlighted creative visions from various disciplines. He worked with artists Pablo Picasso, Jean Cocteau, Henri Matisse, Igor Stravinsky and a host of others on such pieces as Parade, Pulcinella and Rite of Spring.
Massine danced and choreographed for two versions of the Ballet Russe de Monte Carlo from 1932 until 1942, becoming an iconic, revered figure of the theatrical arts. During this time he choreographed 1933’s Les Presages, his first work that utilized symphonic music—Pyotr Ilyich Tchaikovsky’s Symphony No. 5—in a historically distinctive way that became the subject of controversy. Massine followed with more symphonic-inspired pieces, his innovative approach eventually adopted by other choreographers.
In addition to working as a guest artist around the globe, Massine established a big-screen career. He appeared in The Red Shoes (1948) and The Tales of Hoffman (1951), and also performed choreography for Neapolitan Carousel (1954), starring Sophia Loren, and The Hunchback of Notre Dame (1957).
Massine was married four times, including to fellow dancer Eugenia Delarova, and had several children. He died on March 15, 1979, in Cologne, West Germany, at the age of 83.
Autobiographical works include 1968’s My Life in Ballet and 1976’s Massine on Choreography. Biographies of the iconic figure were also written by Vicente Garcia-Marquez (Massine, 1995) and Leslie Norton (Leonide Massine and the 20th Century Ballet, 2004). His dances have gone on to be restaged after his death, receiving international attention from new audiences.
1915: Soleil de Nuit (Midnight Sun, music, Rimsky-Korsakov, set and costumes, Mikhail Larionov).
1916: Las Meninas (music, Fauré)
1917: The Good-Humoured Ladies (music, Scarlatti, arr. Tommasini)
1917: Parade (music, Satie)
1919: La Boutique fantasque (music, Rossini, arr. Respighi)
1919: The Three-Cornered Hat (music, Falla)
1920: Pulcinella (music, Stravinsky)
1924: Le Beau Danube (music, Strauss, arr. R. Desormière)
1930: Le Sacre du printemps (music, Stravinsky)
1933: Les Présages (music, Tchaikovsky)
1933: Choreartium (music, Brahms)
1936: Symphonie fantastique (music, Berlioz)
1938: Gaîté Parisienne (music, Offenbach, arr. M. Rosenthal)
1938: Seventh Symphony (music, Beethoven)
1938: Nobilissima Visione (music, Hindemith)
1939: Capriccio Espagnol (music, Rimsky-Korsakov; filmed in Warner Bros.’ 1941 short Spanish Fiesta)
1942: Aleko (music, Tchaikovsky)
1943: Mam’zelle Angot (music, Lecocq)
1948: Capriccio (music, Stravinsky)
1952: Laudes Evangelii (music by Valentino Bucchi, filmed for TV by Joan Kemp-Welch in 1961).
|1932||The Blue Danube||Dancer|
|1947||Carnival in Costa Rica||Roberto||Uncredited|
|1948||The Red Shoes||Ljubov|
|1951||The Tales of Hoffmann||Spalanzani / Schlemil / Franz|
|1954||Neapolitan Carousel||Antonio ‘Pulcinella’ Petito|
|1959||Honeymoon||The Spectre in ‘El Amor Brujo’|